D.B. Pariyar

Pradip Shrestha is a Nepali film director known for his work in mainstream commercial and emotional, family‑oriented cinema. Over his career, he has directed a series of feature films that blend romance, social drama, suspense, and sentiment, building a solid reputation as a storyteller who understands the pulse of the Nepali audience.His directorial credits include films such as Dui Pal, Ajambari Nata, Dar, Jiban Rekha, Bhagawan Sabaiko, Sapana, Kabaj, Mero Man Ko Sathi, Black (and others), where he has worked with a range of established and rising actors. These films reflect his interest in emotional relationships, moral dilemmas, and socially rooted narratives presented in an accessible, entertaining style.

Deepak Rayamajhi was a celebrated Nepali film director and producer widely regarded as a key figure in shaping modern commercial Nepali cinema. Known for introducing fresh faces, stylish visuals, and contemporary storytelling, he played a major role in defining the look and rhythm of Nepali films during the 1980s and 1990s. Rayamajhi directed several successful films, including Bhagya Rekha, Kasam, Aafno Manche, Aafno Ghar Aafnai Manche, and Ghar Sansar, helping launch and elevate the careers of many actors. His work blended emotion, music, and social themes, earning him a lasting legacy as one of Nepal’s most influential filmmakers

Ashok Sharma is a veteran figure in Nepali cinema, known for his versatile contributions as an actor, director, producer, and screenwriter. Active since the late 1980s, he became one of the most commercially successful filmmakers of the 1990s and 2000s, shaping mainstream Nepali entertainment with family‑drama and social‑comedy hits. Sharma directed and produced popular films such as Dui Thopa Aansu, Allare, Dal Bhaat Tarkari, Mitini, and Jai Bhole, earning a reputation for clean storytelling, strong ensemble casting, and audience‑friendly humor. His work continues to influence new‑generation filmmakers, making him a respected pillar of the Nepali film industry.