Dinesh Dinesh D.C

Ramesh Koirala is a Nepali film director recognized for his grounded approach to storytelling and his focus on emotional realism. Active in Nepal’s evolving film landscape, he has contributed to projects that highlight social themes, personal journeys, and relatable Nepali experiences. Koirala’s direction emphasizes clarity, performance‑driven scenes, and strong narrative structure, establishing him as a thoughtful voice in modern Nepali filmmaking.

Ashish Puri is a passionate Media Personality, Entrepreneur, Photojournalist, and Digital Content Creator based in the beautiful city of Pokhara, Nepal. With a strong background in Information Management, hands-on experience in Journalism & Media Production, Event Management, Branding, and Social Media Marketing, I’ve been working to bridge creativity with impact since 2014.

Dinesh Raut is a Nepali film writer, director, producer and songwriter, He is known for I Am Sorry, November Rain (2014 film), Classic (film), Parva, Prasad & Prakash(2022) .Raut is the recipient of several awards,including National Film Awards and many other awards. Raut started his career at the age of 14 as a Theater Artist and later he worked as an assistant director in movie “Mero Euta Sathi Cha” before moving into directing. He made his directorial debut with “I am Sorry” (2012). His biggest success to date is November Rain, starring Aaryan Sigdel and Namrata Shrestha from which he received Box Office movies award 2015 Best film director award and CG DCine award 2015 in Best film Director. Raut's Classic (2016) also became a big success at the box office and won the National Film Development Corporation (NFDC) Film Director Award. Also received the Jury award for movie Classic at International Nepalese Artist Society (INAS) Award, 2016. Raut's recent release was “Parva” (2017) starring Koshish Chettri, Namrata Shrestha which also became a huge success in thriller genera.

Hira Singh Khatri is regarded as one of the earliest architects of Nepali cinema, best known for directing Aama (1964), the first Nepali feature film produced in Nepal under the Royal Nepal Film Corporation. His work marked the formal beginning of Nepal’s national film industry, establishing narrative, technical, and production standards for future filmmakers. Khatri later directed Hijo Aaja Bholi (1967), further strengthening the foundation of Nepali storytelling on screen. His films emphasized patriotism, social values, and emotional realism, influencing a generation of emerging directors. As a pioneering figure who helped transition Nepal from stage and radio culture into cinematic expression, Hira Singh Khatri’s contribution remains a defining milestone in the history of Nepali filmmaking.