Birendra Hamal

Nisha Sharma is a veteran Nepali theatre actress with a career spanning over three decades, known for her powerful performances in more than fifty stage productions. A leading figure of Aarohan Gurukul and a celebrated interpreter of complex roles such as Nora in Putaliko Ghar, she became the first woman Chancellor of the Nepal Academy of Music and Drama in 2023, marking a historic milestone in Nepali performing arts.

Daman Rupakheti is a well-known Nepalese comedian, actor, and director. He has gained popularity for his work in Nepali comedy serials and web series, such as Lastaa Tehi and Thok Na Madal Thok. His performances are celebrated for their humor and relatability, making him a beloved figure in Nepalese entertainment. In addition to acting, Daman Rupakheti is also involved in directing and writing, showcasing his versatility in the creative field. His contributions have helped shape the landscape of Nepali comedy and entertainment.

Anurag Kunwar is a versatile Nepali actor, producer, and executive producer known for his compelling portrayals—especially in antagonist roles—in popular films like K Yo Maya Ho, Chhakka Panja, and Woda Number 6. Born on January 1, 1983, he initially pursued a career in hotel management, studying in Singapore and even founding a horse-riding company in Kathmandu before transitioning into acting. His film debut came in 2011 with K Yo Maya Ho, and since then, he has appeared in over 15 films, including Facebook (2012), Raato Ghar (2017), A Mero Hajur 2 (2017), Shatru Gate (2018), Chhakka Panja 3 (2018), and Chhakka Panja 4 (2023). His upcoming film Hridaya Bhari is currently in post-production. Kunwar is admired for his thoughtful approach to character development and his commitment to elevating the quality of Nepali cinema.

Hira Singh Khatri is regarded as one of the earliest architects of Nepali cinema, best known for directing Aama (1964), the first Nepali feature film produced in Nepal under the Royal Nepal Film Corporation. His work marked the formal beginning of Nepal’s national film industry, establishing narrative, technical, and production standards for future filmmakers. Khatri later directed Hijo Aaja Bholi (1967), further strengthening the foundation of Nepali storytelling on screen. His films emphasized patriotism, social values, and emotional realism, influencing a generation of emerging directors. As a pioneering figure who helped transition Nepal from stage and radio culture into cinematic expression, Hira Singh Khatri’s contribution remains a defining milestone in the history of Nepali filmmaking.