Avash Joshi

Karma Gyalchen Bomzan is a versatile Nepali singer, composer, and lyricist originally from Okayti Mirik, Darjeeling, West Bengal, India. He has been based in Kathmandu since 2010 and has contributed significantly to Nepali music over the past two decades. Career & Achievements Karma Gyalchen Bomzan has composed and sung over 500 songs, spanning genres like folk, romantic, and modern Nepali music. He has also worked as a playback singer for 10 Nepali movie songs, including Megha and Bindas-3. His music often reflects the lifestyle and culture of rural Nepali communities, making his work deeply relatable to audiences. Popular Songs Some of his most well-known songs include: "Baba Ko Topi" – A classic melody song. "Cheena Jana" – A modern pop song. "Aadha Timro Aadha Mero" – A romantic Nepali song. "Dhaka Topi" – A song celebrating Nepali identity. "Aaija Daiba" – A semi-classical song with deep meaning. Awards & Recognition Karma Gyalchen Bomzan has received multiple awards, including: Hits FM Music Awards (2004 & 2005) for ChinJan Vayay Pachhi. Radio Kantipur National Award (2019) for Baba Ko Topi. Tuborg Image Awards (2018, 2019, 2022) for best vocal and best composer.

Kishor Thapa is a seasoned music director, arranger, and audio engineer from Gorkha, Nepal, known for his meticulous craftsmanship in mixing and mastering. He is affiliated with A One Musician Studio, where he has contributed to numerous musical productions across genres, helping shape the sonic identity of many Nepali artists. In 2025, Kishor Thapa was honored as a Grand Jury Member on Sa Re Ga Ma Pa Lil' Champs Nepal Season 2, one of the country’s most celebrated children’s singing competitions. His role on the jury panel reflects his deep expertise and commitment to nurturing young musical talent. With a background that blends technical precision and creative vision, Kishor continues to be a vital force in Nepal’s evolving music industry—both behind the scenes and in mentorship roles.

Navras Shrestha is the founder, lead vocalist, guitarist, lyricist, and composer of The Lakhey, Nepal’s pioneering Newa (Newari) metal band based in Kathmandu. Known for blending traditional Newar musical elements with the power and edge of metal, Navras has carved out a space for a truly indigenous and modern sound that speaks both to cultural identity and musical evolution. His first Newa metal song, Dhampa Tacha, was recorded in 2005—a bold and groundbreaking transformation of a Newa rap piece into a heavy, guitar-driven anthem that laid the foundation for what would become the Newa Metal genre. Over the years, Navras has created and performed a variety of original songs and covers that showcase his wide-ranging musicality. Tracks like Jeevan, Miss Julie (a fully home-recorded, arranged, mixed, and mastered song), and Ae Kancha (a duet cover with a female vocalist) reflect both his technical abilities and his emotional range as a musician. His reimagining of Malshree Dhun—a revered Newari and Nepali traditional piece—is particularly notable for incorporating Spanish and Indian Rajasthani techniques and a touch of Hindustani classical flavor with heavy drumming, giving the folk tune a new life in a contemporary soundscape. Navras’s musical curiosity extends beyond local traditions—he has embraced songs in foreign languages, including a Georgian piece (Erti Nakhavit by Chveneburebi), while also composing original works like Swagta Mu Hai Nheeaye in Nepal’s Thakali language. In 2022, Navras completed his Master of Fine Arts in Music with a focus on Hindustani Classical music. During this time, he developed a deep interest in songs from various ethnic and regional backgrounds of Nepal. Rather than simply studying them academically, Navras has immersed himself in the melodies, rhythms, and stories found in songs of Nepal Bhasa (Newar), Charya (ritual Buddhist music), Tharu, and Limbu and other indigenous languages. He is currently preparing to record and preserve these culturally significant pieces with modern arrangements—ensuring their continuity and relevance for future generations. His academic contribution is also noteworthy. For his master’s thesis, Navras conducted in-depth research on Dapha music (Asan Bajan Guthi). His thesis has since become a valuable resource for members of the Guthi and other musicians who are interested in traditional music. The work not only documented the artform but also shed light on the present condition and challenges faced by the community in keeping their musical heritage alive. While music is his core identity, Navras Shrestha is also a skilled Full Stack Web Developer by profession and currently works at GTA Nepal. His ability to balance a demanding tech career with an expansive artistic practice speaks to his discipline and creativity. In addition, he is deeply passionate about photography and videography. From capturing evocative model portraits to creative visual storytelling, his visual work complements his music, allowing him to express his artistry across multiple forms. Whether through metal riffs rooted in Newa culture, folk songs from across Nepal’s diverse communities, world music explorations, or visual compositions, Navras Shrestha stands out as a multi-talented, cross-disciplinary artist. He continues to inspire others not just with what he creates, but with how he connects deeply to culture, community, and creativity.

Asta Lama is a Nepali music composer known for his contribution to modern Nepali music and film soundtracks. He has established himself as a creative force in composition, blending contemporary musical elements with Nepali melodies.He is the Chairman of the Music Composers Association Nepal, playing a significant role in promoting and supporting music composers across the country.As a composer, Asta Lama has worked on various musical projects, including songs like “Ramri Pani Bhaki Chhu” from the film Dulahi, showcasing his ability to create emotionally engaging and commercially appealing music.Beyond composition, he is actively involved in strengthening Nepal’s music industry through leadership, collaboration, and advocacy for composers. His work reflects a commitment to evolving Nepali music while preserving its artistic identity.