Ustad Sahila

Pranil L. Timalsena is a Nepali singer, rapper, and songwriter best known as one half of the pioneering hip‑hop duo Girish–Pranil (GP), whose work in the 1990s laid the foundation of NepHop, Nepal’s earliest hip‑hop movement. He began his musical journey with Girish Khatiwada, releasing Ma Yesto Chhu with rapper DA69, a track widely recognized as the first major breakthrough of rap music in Nepal .As part of Girish–Pranil, he contributed to several influential early rap songs including Timi Jaha Pani Jaanchhau, Malai Bhot Deu, Hami Dherai Sana Chhu, Meaningless Rap, Diyeko Maya Samhali, Dream, Gaarho Bho, Zoom Zoom Boom Boom, Seto Ghoda, and Yesari . His collaborative hit Aankha Bhari with DA69 further strengthened his presence in the emerging hip‑hop scene .Pranil later expanded into melodic and modern Nepali music, working with major artists including Nabin K. Bhattarai, most notably featuring in the popular composition Yehi Ho Ta Maya from the album May 18 . His solo works include emotional and modern tracks such as Ajiyo Mutu Bhanchhu, Aashu Yo Jharcha, Eklo Yatra, Sabai Naacha, and Chan Maya Yo Timilai .Recognized as one of the earliest voices to bring rap, rhythm, and modern lyrical expression into Nepali mainstream music, Pranil remains an influential figure whose contributions helped shape the identity of Nepali hip‑hop and early fusion‑rap culture.

Umesh Pandey is a Nepali playback singer whose voice defined the popular film songs of the 2050s era, a time when audiences often went to cinema halls because of hit songs. Known for delivering melodies that instantly connected with listeners, Pandey rose to prominence with evergreen numbers such as “Rato Tika Nidharma Talkyo…”, which remain widely loved across generations.Pandey began his musical journey while studying at RR Campus in 2034 BS, where his close circle included singer Rabin Sharma and actor Bhuwan KC. Later, during his studies at Tri‑Chandra Campus, he became associated with noted musicians Shakti Ballav, lyricist Rajendra Paudel, and Prakash Shrestha. After passing the Radio Nepal test, he recorded his first song on 24 Poush 2036 BS, “Nai Bhanchhau Bhan…”, written by Vishwambhar Byakul and composed by Sambhujeet Baskota, at the age of 19.In 2039 BS, Pandey secured third place in the nationwide talent hunt “Pratibhāko Khoji,” organized by Ratna Recording Sansthan, earning him the opportunity to record professionally at a time when gramophone recording was considered a major achievement.His breakthrough came in the 2050s with Sambhujeet Baskota and director Ashok Sharma, who introduced him to film music through Nirmaya, where he sang “Meri Maya Saanchen Hai Ropi…” with Ramana Shrestha and Devika Pradhan. The massive success of “Rato Tika Nidharma Talkyo…” from Sharma’s film Allare established him as a leading playback voice. This success led to further hits, including “Goli Sisako…” (Gaunle), “Ma Bharma…” (Mr. Ramkrishna), and popular songs from films such as Aadhar, Naulothau Pari, Dharmaputra, Khatabah, Mitini, Jwalamukhi, and Saiyanji.Over his career, Umesh Pandey recorded songs for more than 25 films, with most becoming audience favorites. His expressive, melodic singing style made him one of the defining voices of Nepali cinema’s golden musical era.

Aagantuk Kharel was born on 14th December in Shankhuwasabha, Nepal, as the youngest daughter of Krishna Prasad Kharel and Jeevan Kumari Kharel. She has one brother and four sisters. Growing up, Aagantuk was mischievous and loved singing and dancing, often participating in school programs. She completed her education in Amradas School, Kanya School, and Dharan Secondary School before moving to Kathmandu to finish her +2 at Nobel Academy and B.A. from Pashupati Campus. Aagantuk decided to pursue music after completing her S.L.C., joining Dorieme for 5 years and learning from Guru Dev Kamant, Bhanu Bhakta, and Bijay Singh Munal. In 2002, she recorded her first song "Tipera Fakyau Phul Ko Thunga," and in 2006, she released her debut album "Ban Ma Fulyo Ful," followed by her second album "Bayer Botai Ma" in 2009. She is currently working on her third album, "Aachal Ko Agaman," dedicated to her daughter Aachal. Beyond music, Aagantuk enjoys spending time with her daughter, practicing vocals, and writing songs. She loves traveling with her family and values honesty and generosity.

Mahesh Mukhiya Sunuwar (born May 24, 1992) is a Nepali singer known for his lok‑pop and modern melodic style. He entered the Nepali music industry in 2065 BS (2008/2009 AD) with the songs ‘Kehi Din Ma Tadha’ and ‘Tyo Pari Gaunma’, both later included in his debut album ‘Aash’ (2067 BS ≈ 2010/2011 AD) — a four‑song collection rooted in lok‑pop flavors.In 2070 BS (2013/2014 AD), Sunuwar released his second album ‘Promise’, featuring six songs blending lok‑pop and sugam sangeet. Tracks such as ‘Sanile Chhodchha Baru’, ‘Oh Gori Oh Gori’, ‘Pathibhara Devi Kasam’, and especially ‘Mathi Mathi Lekma’ helped expand his popularity. He also collaborated with renowned singer Milan Amatya on Pathibhara Devi Kasam.Initially treating music as a hobby, Sunuwar now pursues it seriously. Having begun by singing in his mother tongue, he is currently active with concerts and preparing his third album, where he will write and compose his own songs.