Shyam Tamang

Roshan K Shrestha is a professional cinematographer from Nepal. He spent many years as a main cameraman in television. He is also known for dozens of successful music videos and commercials. Experienced cinematographer with a demonstrated history working in the media production industry. Final Cut Pro specializes in video, camera, film, and documentaries. A strong media and communication professional who graduated from Balkumari.

Krishna Bahadur Thapa is a seasoned Nepali cinematographer with more than a decade of professional experience across feature films, music videos, and commercial productions. He has worked his way up through the camera department as Assistant Cinematographer, Focus Puller, First Assistant Camera, Steadicam Operator, and Chief Assistant Cinematographer, eventually establishing himself as a full‑fledged Director of Photography.His cinematography credits include Parastree (2023), Pashupati Prasad 2 – Bhasme Don (2023), Prema (2023), and Hookah (2023), with upcoming work in Ke Ghar Ke Dera – Ghar No. 2 (2025).He has contributed to major Nepali films in key technical roles, including Aama (2020), Chiso Maanchhe (2022), Mantra (2022), Teen Jantu (2021), Ghamad Shere (2019), Ranveer (2019), Ma Yesto Geet Gaauchu (2017), A Mero Hajur 2 (2017), Saayad 2 (2017), Love You Baba (2014), and Jhola (2013).He is also a Treasurer at NEFTA (Nepal Film Technician Association) and has served as a jury member and judge in national award events, including the 6th National Inclusive Music Awards (2023).

Nabaraj Uprety is a Nepali cinematographer known for his clean visual style and emotionally grounded camera work across feature films, world‑cinema collaborations, music videos, and TV commercials. Active in Nepal’s modern visual industry, he brings a blend of technical precision and artistic sensitivity, shaping stories through natural light, disciplined framing, and strong visual rhythm. Uprety represents a new generation of DOPs expanding Nepali cinematography into global, commercial, and digital spaces.