Saran Kumar Pradhan

Krishna Man, born in Ashar 1982 BS (1925 AD) in Bandegaon, Lalitpur, is one of the foundational figures of early modern Nepali music. He began his musical career in 2008 BS (1951/1952 AD) by composing for Satyanarayan Dangol’s song “Timrai Khatir Ni Sodhinau Maile Abiral Aansu Bagaye” shortly after the establishment of democracy in Nepal.Around 2016 BS (1959/1960 AD), he recorded two songs in Kolkata, marking his entry into the international music scene. In the same year, he gained significant recognition for composing music for Balkrishna Sama’s acclaimed play “Ma”. He also taught Nepali folk songs to Chinese dancers, earning international appreciation, and received a commendation from King Mahendra the following year.In 2019 BS (1962/1963 AD), he secured second place at Radio Nepal’s All Nepal Modern and Folk Song Conference and received a medal from King Mahendra. In 2020 BS (1963/1964 AD), he was honored again as the Best Composer.He completed a Bachelor’s degree in Classical Music from Allahabad around 2030 BS (1973/1974 AD) and participated in numerous national and international programs. In 2033 BS (1976/1977 AD), he was decorated with the Gorkha Dakshin Bahu (Fifth Class). In 2047 BS (1990/1991 AD), he won first place in modern songs at Radio Nepal. In 2048 BS (1991/1992 AD), he received an appreciation certificate from Ganeshman Singh for his music direction in the film “Aajako Yuwa”.His body of work includes 30 bhajans, 12 Newari songs, national songs, and film compositions released through cassettes and CDs, along with 34 bhajan videos produced for Nepal Television.

Phoebe Shrestha is a Nepali violinist known for her expressive bowing style, refined classical technique, and ability to blend Western orchestral sensibilities with contemporary Nepali music. Active in studio sessions, live ensembles, and collaborative projects, she brings a warm, lyrical tone to film scores, acoustic arrangements, and cross‑genre performances. Her growing presence in Nepal’s modern music scene reflects both technical discipline and a distinctive emotional clarity in her playing.

JB Lama is one of Nepal’s senior and most respected flutists, widely recognized for his decades‑long contribution to Nepali modern, folk, and film music. He has collaborated with legendary icons including Narayan Gopal, Gopal Yonjan, Nati Kaji, Fatteh Man, and many others, shaping the sound of Nepali music across multiple eras. Lama is also credited with creating his own flute‑playing pattern, a stylistic signature still followed by many contemporary flutists.

Sachin Singh is a Nepali musician based in Kathmandu, Nepal. He has composed and arranged music for more than 45 Nepali films. He has also composed music for numerous music albums of various Nepali singers. In Kathmandu, Sachin started working in Symphonic Studio as a guitarist, taught music in schools and played guitar in a restaurant. He composed song Hijo Aaja for Sukmit Gurung's album Hijo Aaja in 1991. He then arranged music for the Nepali film Sweekar of Subodh Shridhar. After a gap of two years he again worked in the film Dharma where he went unnoticed. He gained attention with the song Mero Maya Lai Bari Lai in Ragat (1997). His fame came with the film Sagun (1998) where he composed popular songs like 'Aago Lagyo Dilaima Damkal Bolaideu'. This was a turning point in the Sachin's musical career. Lathi Charge Nagara, Kahabata Ayau Aja, Kasko Aankha Lagyo (Prahineer), Sano Cha Gaun (Sano Sansar) and Ke Kura (Ajhai Pani) are some of this well-known compositions.