Prabhat Lamichhane

Ram Thapa (1958–2008) was a pioneering Nepali folk singer, music director, and Radio Nepal presenter known for his humorous and socially conscious songs. Born in Kamalpokhari, Kathmandu, he began his musical career in 1974 and became a 7th Grade Music Director at Radio Nepal. He sang over 150 folk songs and directed music for more than 200, with hits like Thok Na Madal Thok, Timi Yesai Lajayau, and Ritu Haruma Timi, which was ranked 7th by BBC in 2003. He was the first to publish Nepali music books with lyrics and chords, contributing to music education. Ram Thapa also served as a judge on Nepali Tara I & II, mentoring young talent. He passed away in 2008 due to liver disease.

Kushal Thapa is a Nepali lead guitarist known for his versatile work across recording studios, reality‑show stages, and major live concerts. A skilled session musician, he has contributed guitar arrangements and studio recordings for various artists, bringing a blend of melodic phrasing and modern Nepali guitar style.He also performs as a band guitarist for Pramod Kharel, supporting national tours, concerts, and televised performances with expressive lead lines and strong stage presence. His experience across studio, stage, and broadcast settings has established him as a reliable and adaptable guitarist in Nepal’s contemporary music scene.

Rajendra Karn is a Nepali music instrumentalist known for his contributions to traditional and film music in Nepal. He has played a significant role in shaping the sound of old Nepali films, working as a musician and instrumentalist in various productions. His expertise in classical and folk instruments has made him a respected figure in the Nepali music industry. Rajendra Karn has also been involved in reviving and preserving traditional Nepali music, collaborating with artists to keep the essence of Nepali folk and classical sounds alive. His work has been featured in several old Nepali films, contributing to their musical richness.

Parashuram Bhandari is a Nepali master of the sarangi. He hails from the former Kingdom of Nepal, a country of dramatic beauty with a rich and appealing culture. His music ranges from the wildly exuberant to the hauntingly delicate, presented with the rhythmic power that is his signature. The sarangi, whose name means "hundred colors," is an instrument with a cello-like timbre, bowed on three melody strings, with thirty-six sympathetic strings underneath, giving it a haunting cello-like resonance and bright reverberating echo. It is best known for its emotional intensity and its uncanny similarity to the timbre and inflections of the human voice. Parashuram is the only sarangi musician in Nepal to play in the North Indian Classical style. He plays Nepali traditional music on the country's traditional sarangi. The Nepali sarangi is a small hand-carved version of the classical sarangi, an instrument equivalent to the traditional American fiddle. Born in the Kathmandu Valley and educated in India, Parashuram studied with guru Pandit Bacchalal Misra of Varanasi and Senior Musician Gopal Nath Yogi. He received his Master's Degree in Music from Prayag Sangit Samiti. An independent artist, Parashuram Bhandari has published the only textbook on sarangi and is the recipient of National music awards in Nepal. He has performed in numerous countries and released two solo CD's among others with the acclaimed musical group Om Shringara Nepal. When home in the Kathmandu Valley, Parashuram performs in Nepal television, radio, and theatre productions.