Prabhat Lamichhane

Prince Nepali is a fourth-generation Nepali sarangi player and educator. He has made significant contributions to preserving and promoting traditional Nepali folk music through his exceptional skills and dedication. Career Highlights Sarangi Player: Prince Nepali is known for his mastery of the sarangi, a traditional Nepali string instrument. He has performed with various artists and bands, including Bipul Chettri, Ani Choying Drolma, and Sujan Chapagain. Educator: He runs classes at Sarangi Ghar, where he teaches the next generation of sarangi players and works to preserve traditional Nepali music. Fusion Band: Prince Nepali co-founded the Nepali-American folk fusion band Manaslu Blue, blending Appalachian Bluegrass with Nepali folk music

Shyam Nepali is an acclaimed Sarangi player & one of the most notable instrumentalists from Nepal.He has a worldwide following with innumerable national/international performances & a career spanning over 30 years & 50 full-length folk/contemporary albums

Parashuram Bhandari is a Nepali master of the sarangi. He hails from the former Kingdom of Nepal, a country of dramatic beauty with a rich and appealing culture. His music ranges from the wildly exuberant to the hauntingly delicate, presented with the rhythmic power that is his signature. The sarangi, whose name means "hundred colors," is an instrument with a cello-like timbre, bowed on three melody strings, with thirty-six sympathetic strings underneath, giving it a haunting cello-like resonance and bright reverberating echo. It is best known for its emotional intensity and its uncanny similarity to the timbre and inflections of the human voice. Parashuram is the only sarangi musician in Nepal to play in the North Indian Classical style. He plays Nepali traditional music on the country's traditional sarangi. The Nepali sarangi is a small hand-carved version of the classical sarangi, an instrument equivalent to the traditional American fiddle. Born in the Kathmandu Valley and educated in India, Parashuram studied with guru Pandit Bacchalal Misra of Varanasi and Senior Musician Gopal Nath Yogi. He received his Master's Degree in Music from Prayag Sangit Samiti. An independent artist, Parashuram Bhandari has published the only textbook on sarangi and is the recipient of National music awards in Nepal. He has performed in numerous countries and released two solo CD's among others with the acclaimed musical group Om Shringara Nepal. When home in the Kathmandu Valley, Parashuram performs in Nepal television, radio, and theatre productions.

Dashain and Malshree Dhun are deeply connected in Nepali culture. The sacred melody of Malshree is considered the musical soul of Dashain, and helping preserve this tradition is Nepal’s first and only female sarod player, Rupa Neupane. Rupa Neupane was born in Asar 2026 B.S. (1969 A.D.) in Mulpani, Kathmandu. She was married at the age of 12 in 2038 B.S. Despite early marriage and social responsibilities, her passion for music gradually found its way into her life. At the age of 24, in 2050 B.S. (1993 A.D.), she began learning the sarod, marking the beginning of her remarkable musical journey. She first trained under senior sarod maestro Mohan Sundar Shrestha in Kathmandu. Later, she continued her studies with Suresh Raj Bajracharya and further refined her skills under Dr. Anupama Kumari in India. Through dedication and continuous practice, she steadily established herself as a respected sarod instrumentalist. In a field traditionally dominated by men, Rupa Neupane broke barriers and created a historic identity as Nepal’s pioneering female sarod player. Her performances of Malshree Dhun during Dashain have strengthened the cultural connection between classical instrumental music and Nepal’s most celebrated festival. Today, she continues her journey as a committed sarod artist, inspiring women and young musicians across the country. Her life reflects perseverance, courage, and devotion to classical music, proving that passion and determination can overcome social and personal challenges.