Sahara Sharma

Madhusudan Bhattarai (also credited as Madhu Sudan Bhattarai) is a Nepali film director, story writer, and chief assistant director active in the industry since the early 2000s. Known for his grounded storytelling and command over commercial drama, he has directed feature films such as Black Night (2013), Blackmail (2012), Nirbhay (2017), Destination Kathmandu (2018), and the upcoming Hami Teen Bhai (2026), where he also serves as the story writer.Beginning his career as a chief assistant director and assistant director, Bhattarai contributed to projects like Pahuna (2003), Daiko Sasurali (2010), Gorkha Rakshyak (2008), and Pratikaar (2013) before transitioning into full directorial leadership. His early technical roles—including work as chief assistant editor on Kathmandu (2010)—helped shape his precise visual and narrative style.

Ujwal Ghimire is a veteran Nepali film and television director, producer, writer, and actor whose career spans more than four decades and has significantly shaped mainstream Nepali cinema. Beginning in theatre and early Nepal Television programs, he rose to prominence with acclaimed films such as Kismat, Chhodi Gaye Paap Lagla, Andaj, and Woda No. 6. Known for emotionally resonant storytelling and audience‑centered direction, he has earned multiple National Film Awards and industry honors. Ghimire remains an influential creative force, contributing to film, television, and the development of new talent in Nepal’s entertainment industry.

Dipendra Lama is a renowned Nepali film director, writer, and former film journalist who transitioned into filmmaking after an 18‑year career in film journalism. He is widely recognized for directing successful films such as Ghampani (2017), Gopi (2019), Chha Maya Chhapakkai (2019), Dui Numberi (2022), and Nango Gaun (2023). His upcoming film Dukhi Aatma (2025) continues his trajectory as one of Nepal’s most consistent storytellers.Born into a Buddhist Tamang family, Lama began his professional journey in 2000 as a film journalist at Naya Sadak Daily, later contributing to major publications including Nepal Samacharpatra, Spacetime, Naya Patrika, Nepal Weekly Magazine, and Nagarik. His journalistic excellence earned him the Fine Art Journalism Award (2016) from the Nepal Academy of Fine Arts.His directorial debut, Ghampani (2017), marked his shift from journalism to cinema, driven by his deep understanding of storytelling and social issues. The film addressed caste discrimination and received strong critical reception.

Gyanendra Bahadur Deuja is one of Nepal’s most influential film directors, screenwriters, and visual innovators, celebrated for introducing new cinematic techniques and for directing some of the most culturally significant films in Nepali cinema. Active since 1997, he is known for blending social issues, emotional storytelling, and technical experimentation in his films.Before entering cinema, Deuja served as a Deputy Director at Nepal Rastra Bank, balancing a parallel career in banking and filmmaking—an uncommon achievement in the industry. His artistic foundation began at Aarohan Theatre (now Gurukul), where he trained alongside respected Nepali actors and directors.His mentor, senior director Resh Raj Acharya, guided him through early work as chief assistant director in major tele-serials and films such as Sparsh, Dushman, Aama, Bandhan, and Tuhuro.