Ram Sitaula

Nhuche Bahadur Dangol is a distinguished Nepali folk music educator, researcher, and multi‑instrumentalist, widely respected for his lifelong contribution to preserving and teaching Nepal’s traditional musical heritage. As an Associate Professor at Tribhuvan University, he has dedicated more than 36 years to teaching Nepali folk music, folk musical instruments, and traditional folk tunes to new generations of Nepali students.His career reflects a rare combination of academic depth, practical musicianship, and cultural stewardship. Dangol has played a central role in documenting, teaching, and transmitting the musical traditions of Nepal’s diverse ethnic communities. His classroom work, field knowledge, and performance experience have shaped thousands of young musicians, many of whom now serve as performers, teachers, and cultural ambassadors.Known for his mastery of multiple Nepali folk instruments, Dangol emphasizes authentic technique, historical context, and cultural meaning in his teaching. His approach blends scholarship, performance, and preservation, making him one of the most influential figures in Nepali folk music education.Through decades of service at Tribhuvan University, he has contributed to curriculum development, academic research, and the institutional recognition of Nepali folk music as a formal discipline. His work continues to strengthen the identity, continuity, and global appreciation of Nepal’s musical heritage.

Krishna Man, born in Ashar 1982 BS (1925 AD) in Bandegaon, Lalitpur, is one of the foundational figures of early modern Nepali music. He began his musical career in 2008 BS (1951/1952 AD) by composing for Satyanarayan Dangol’s song “Timrai Khatir Ni Sodhinau Maile Abiral Aansu Bagaye” shortly after the establishment of democracy in Nepal.Around 2016 BS (1959/1960 AD), he recorded two songs in Kolkata, marking his entry into the international music scene. In the same year, he gained significant recognition for composing music for Balkrishna Sama’s acclaimed play “Ma”. He also taught Nepali folk songs to Chinese dancers, earning international appreciation, and received a commendation from King Mahendra the following year.In 2019 BS (1962/1963 AD), he secured second place at Radio Nepal’s All Nepal Modern and Folk Song Conference and received a medal from King Mahendra. In 2020 BS (1963/1964 AD), he was honored again as the Best Composer.He completed a Bachelor’s degree in Classical Music from Allahabad around 2030 BS (1973/1974 AD) and participated in numerous national and international programs. In 2033 BS (1976/1977 AD), he was decorated with the Gorkha Dakshin Bahu (Fifth Class). In 2047 BS (1990/1991 AD), he won first place in modern songs at Radio Nepal. In 2048 BS (1991/1992 AD), he received an appreciation certificate from Ganeshman Singh for his music direction in the film “Aajako Yuwa”.His body of work includes 30 bhajans, 12 Newari songs, national songs, and film compositions released through cassettes and CDs, along with 34 bhajan videos produced for Nepal Television.

Laxman Shesh (also known as Laxman Bindari, born 18 August 1972, Hetauda) is a renowned Nepali music composer, music director, lyricist, and playback singer with a career spanning from 1988 to the present. Recognized officially as a “Renowned Class Music Composer/Music Director” by the Nepal Academy of Music and Drama under the Government of Nepal, he has become one of the key figures in modern Nepali film music.He has worked in more than 60 Nepali feature films, contributing as music director, lyricist, playback singer, and background‑score composer. His filmography includes titles such as Muna Madan, Mayako Saino, Timi Bina, Timro Maya 99 Mero Maya 100, Naya Nepal, Kina Lagchha Maya, Ko Hu Ma, Basanta Ritu, Nagarik, and Je Sukai Hos, among many others.Beyond composing, Shesh has been deeply involved in music and film policy and rights work: he has served on the Piracy Control Committee of the Nepal Film Development Board, the Film Censor Board, the Music Royalty Collection Society, and several government committees on copyright and intellectual property policy.

Prajwal studied piano at 6 and is still learning. He performed extensively all over Nepal. He has been involved in a diverse multitude of musical projects extending across a comprehensive range of musical styles, including pop, rock, R&B, commercial music, Indian Classical, Western Classical, Jazz, Fusion, etc. as well as the broad spectrum of Nepali music collaborating with local, national and international artists. Involvement in the recording industry, commercial television production, music theatre, and teaching rounded out his activities in Nepal. Prajwal is a member of the Music Association of Nepal and has actively worked as a Keyboardist and a Music Director with International Franchise Television reality shows such as Nepal Idol, Voice of Nepal, SaReGaMaPa Li’l Champs, and other local reality shows. Prajwal has extensive experience in music performances. He worked in the prestigious music club of Nepal, “RAJGHARANA,” for three years and toured with many well-known Nepali, Indian, and other international musicians. He was also on the faculty of Nepal Music Center, Kathmandu Jazz Conservatory, and the University of North Texas, currently teaching Piano. Prajwal is currently focused on creating original music and is a member of several Nepali bands performing concerts with visiting international music artists.