Dibya Khaling

Madan Krishna Shrestha is a well known Nepali actor/producer/director/singer/ of Nepal Film Industry. Together with Mr. Hari Bamsha Acharya, he has achieved increasing popularity among Nepalese people in Nepal and around the world.

Saroj Sajan Shrestha (born on December 28, 1985 as Saroj Kumar Shrestha) is a new face in the Nepali music industry. ‘S3’ (Saroj Sajan Shrestha) which was released on December 25, 2015 is his first album. He is a versatile singer and he has sung songs with semi classical, lok fusion, soft rock flavors for the album. He can also compose and write songs. The album ‘S3’ marks the arrival of Shrestha in the industry. Composers Kalyan Singh and Ishwor Magiya are the composers of the album while the lyricists who have penned the songs for S3 are Ravi Malla, Binu Kchitiz and Prakash Kshanik. ‘Paapini’ and ‘Mayalu Ko Desh’ are his popular songs and it has been included in the album of five songs. Others songs of the album are ‘Timile Farkiyera’, ‘Mahasus Garer Hera’ and ‘Mann Antai’. It was launched by legendry singer Prem Dhoj Pradhan, composer Raju Singh and cover designer Anil Staphit among others. From Phalewas, Parbat, Shrestha was inspired by his late father Ram Prasad Shrestha who was a local musician. He later moved to Kathmandu in 2001 where he took music further. And he officially began his musical journey with the song ‘Mahasus Garer Hera’ recorded in 2013. Music is his life and he can’t imagine life without music. For Shrestha, music is the medium to bring about change in the society.  

Sanjaya Shrestha is a Nepali singer and musician. He founded the pop music band Crossroads in 1992, which blended western-style singing with traditional Nepali instrumental music. Some of his popular songs include the hit “Maya Meri Maya” (Nepali: माया मेरी माया) . Sanjaya Shrestha has left a lasting impact on Nepali music lovers, and his song “Maya Meri Maya” remains immortal in the hearts of many .

Professor Bala Prasad – Singer/MusicianProfessor Bala Prasad has 2 recorded songs from BS 1989 (AD 1932/1933) documented in researcher archives. No further details are available, but he stands out as one of the rare early recording artists carrying an academic title.