Ramesh Adhikari

GBOB, real name Sudeep Bhandari, is a rising voice in Nepal’s hip-hop scene. Originally from Gorkha and now based in Godawari, Lalitpur, he first came into the spotlight through the rap battle show All Nepal Thug Family (ANTF), where his raw delivery and street lyricism instantly went viral. Known for impactful tracks like “Timro Chahana”, “Chill Maa”, and “Aama”, GBOB blends real-life struggles, cultural identity, and emotional honesty in his music — all delivered in his native Nepali. In 2025, he released “Parichaye (The Intro)”, a bold opening to a new chapter, showcasing deeper lyricism and fearless storytelling. “Rehab taught me hustle. I learned more there than anywhere else.” — GBOB GBOB is currently working under the record label The Bob Records, contributing as a core artist and expanding his sound and reach. With an authentic voice, powerful lyrics, and a rapidly growing audience, he’s building a movement — not just a music career.

Subash Gajurel (सुवास गजुरेल) is a prominent Nepali film director, actor, and producer known for his impactful contributions to Nepali cinema. He gained widespread recognition for his film Basain (2005), which became Nepal's official entry to the 79th Academy Awards in the Best Foreign Language Film category. 🎬 Career Highlights: Maya Baiguni (2001): His directorial debut, an action drama written by Bijaya Shrestha. Basain (2005): Directed and produced by Gajurel, this film is a landmark in Nepali cinema for its international recognition. Yesarinai Aalu Pulchha (2011): A short animated film he directed. Bihe Pass (2022): He acted in this comedy film, playing the role of Salikram Luitel. Subash Gajurel is celebrated not only for his storytelling and cinematic vision but also for elevating Nepali films to the global stage.

Narendra Thapa is a Nepali film actor best known for his villainous and character roles across more than three dozen feature films, making him one of the recognizable antagonistic faces of the 1990s Nepali cinema era. Active from the late 1980s onward, Thapa appeared in several major commercial and socially themed films, often portraying antagonists, corrupt officials, or powerful enforcers. His screen presence, sharp dialogue delivery, and intense expressions made him a frequent casting choice for negative roles.His filmography includes notable titles such as Yug Dekhi Yug Samma (1991), Kasam (1992), Prem Pinda (1993), Nata (1994), Balidan (1997), Aandolan (1997), Dautari (1998), Chhahaari (1998), Thuldai (1999), Hatya (1999), Namaste Nepal (2015), Destination Kathmandu (2018), and Chhakka Panja 5 (2024).In addition to acting, Thapa has also worked behind the camera as the director and story writer of the film Desh Dekhi Bidesh (2008).Across his career, he became known for portraying villains who were not just violent but layered—reflecting the political, social, and emotional tensions of the era. His roles in films like Balidan, Aandolan, and Prem Pinda placed him within some of the most culturally significant Nepali films of the 1990s.

Kamal Devkota, hailing from Butwal, Nepal, is a distinguished actor in the Nepalese film industry and a passionate theatre artist. With a career spanning numerous performances, he has played and directed more than a dozen theatrical productions, showcasing his versatility and dedication to the craft. One of his notable film appearances includes the movie Jante Bakhro, where he brought his artistic prowess to the big screen. Beyond acting, Kamal is deeply committed to social causes, particularly wildlife conservation. He is the founder of Save The Lives and Save The Snakes, organizations dedicated to raising awareness and protecting snake species in Nepal. His work in conservation extends to educational documentaries and community-driven initiatives aimed at mitigating snakebite incidents. Kamal Devkota’s contributions to both the arts and environmental advocacy make him a unique figure in Nepal’s cultural and conservation landscape. His ability to blend storytelling with activism continues to inspire audiences and communities alike.