Raju Lama

Narayan Thapa is a Nepali singer, composer, and musician known for his expressive sugam and modern vocal style. Born in Sindhuli, he entered the industry with “Chokho Maya Ma” and has since released over 60 songs, including popular tracks like “Aajkalka Muna Madan” and “Timro Aakarshanle.” With albums such as Ajambari, Parivesh, and Aakarshan, he has earned multiple national music awards and recognition for his versatile contributions to Nepali music.

Deepak Kharel is a legendary figure in the Nepali music scene, celebrated for his soulful voice and deep connection to the lyrical beauty of modern Nepali songs. With a career spanning several decades, Kharel has not only witnessed the evolution of Nepali music but has also played a pivotal role in shaping it. He first rose to prominence in the 1980s and quickly became known for his melodious voice, classical training, and his ability to bring out raw emotion in every performance. His songs often explore themes of love, longing, heartbreak, and the beauty of life, striking a chord with audiences of all ages. Some of his most beloved and timeless tracks include “Timro Tyo Hasilo,” “Badal Banai Deu,” “Poornima Ko Raat,” “Ma Timro Saath Dinchhu,” and “Hera Na Hera Kancha.” These songs remain staples on Nepali radio and playlists, evoking nostalgia and admiration from generations of music lovers. Deepak Kharel has received numerous awards and honors for his contributions to Nepali music. He has worked closely with acclaimed lyricists and composers such as Ramesh, Bhairav Aryal, and Shanti Thatal, creating musical masterpieces that are still celebrated today. Beyond singing, Kharel has also contributed as a music mentor and has inspired many young artists to pursue music with sincerity and discipline. His influence is seen not only in his recordings but also in the way his voice and style have shaped the identity of modern Nepali playback singing. He remains active in the music community, performing on prestigious stages and continuing to be a revered name in the industry. His legacy is one of elegance, grace, and a lifelong dedication to the art of music.

Yaman Shrestha is a Nepali singer, lyricist, music composer, and performer known for his early start in music and his creative roots in a legendary comedy family. The son of iconic comedian Madan Krishna Shrestha, Yaman began composing music as a pre‑teen for telefilms such as “Ra” and “Laxmi”, where classical maestro Nararaj Dhakal performed his compositions. His musical catalog includes albums like U & Me (1998) and popular songs such as “Yi Aankhale,” “Udi Gayo,” “Hamro Desh Nepal,” and “2081 Gaijatra”.He has also contributed to Nepali cinema, with credits in films including Chhakka Panja 3 (2018), Daal Bhat Tarkari (2019), and Karma (2022).

Brata Gandarva, a renowned folk singer and Sarangi player, was born on 25th Poush, 2043 BS, in Jarayotar, Palpale, Bhojpur. She is the fourth daughter of Dambar Gandharba and Chija Maya Gandharba. Growing up in a large family with two brothers and six sisters, Brata's childhood was marked by a deep connection to music, especially Sarangi. Her father, a professional Sarangi player, and her mother, who also played the instrument, were her primary sources of inspiration. Though Brata was initially shy and quiet as a child, her love for Sarangi and singing gradually grew as she accompanied her mother around the village, performing and learning the traditional craft. The family's financial struggles further motivated Brata to continue the musical tradition, as it was both a means of sustenance and a way of life. Education and Musical Journey: Unlike many musicians, Brata didn’t receive formal schooling during her early years in the village. However, her connection with music was solidified when she met Gopal Siwakoti Chintan, a renowned figure who inspired her to pursue formal education and music training. Upon moving to Kathmandu, Brata joined Tri-Ratna Cooperative School, where she completed her S.L.C. and later went on to study at Lalit Kala Campus, earning her I.A. degree. She is currently in her B.A. 2nd year at the same institution. Her musical journey began under the mentorship of her parents, with her father being a significant influence on her playing technique. After moving to Kathmandu, she continued her training at Nepal Sangh Vidhalaya, under the guidance of Shyam Nepali, and started recording her songs in Music Nepal around 2053 BS. Brata’s contributions to folk music extend beyond her own performances; she is also a dedicated teacher, sharing her knowledge of Sarangi with students six days a week at various institutions.