Rajan Thakuri

Kamali Kanta Bhetuwal is a renowned Nepali folk singer, lyricist, and composer celebrated for his evergreen contribution to lok‑geet and traditional village‑style melodies. Best known for the iconic classic “Jhamke Guleli”—which he wrote, composed, and performed—Bhetuwal has produced multiple acclaimed albums under the Jhamke Guleli series, including Parts 1, 2, 3, and 4, all released through Music Nepal. His catalog features long‑form narrative folk songs such as “Jhim Jhim Pareli,” “Khorunga Shirma,” “Himal Takuri,” and “Rani Rumalma.” His distinctive vocal texture and poetic writing have made him a defining figure in Nepal’s modern folk heritage.

Rita Thapa Magar is a Nepali folk and duet singer who has made a significant impact in the Nepali music industry. She is the President of the National Folk and Duet Song Academy in Nepal and also owns Samdhini Resort and Samdhini Entertainment Pvt. Ltd. Rita has a strong presence on social media and is followed by many fans.

Ustad Sahila, born (Asta Man Shrestha) in Asaar 1951, was a pioneering figure in Nepali folk‑based musical innovation. Known for introducing a fresh dimension to Nepali lok‑laya, he blended traditional rhythms with expressive vocal phrasing that made his songs deeply memorable. He trained in Kolkata under respected maestros Pandit Laxmikanta, Ustad Surya Mishra, and Ustad Shiva, gaining a strong classical foundation that shaped his unique style. In 1990 B.S., he recorded his songs in Kolkata, producing seven gramophone discs, a rare achievement for a Nepali artist of his era. His popular songs include “Kalo Theki Naran Kali Kathako”, which remains a beloved folk classic. Ustad Sahila passed away on Magh 15, 2013, leaving behind an important musical legacy.  

Master Mitrasen Thapa Magar (1895–1946) was a pioneering Nepali folk singer, dramatist, social reformer, and cultural ambassador whose work laid the foundation for organized Nepali folk performance. Born in Bhagsu, Dharamshala, he served in the Gurkha Regiment before dedicating his life to music, theatre, and community upliftment. He performed widely across India and Nepal, including Kathmandu Durbar, where he presented folk songs, dramas, and shamanic‑influenced performances, earning high recognition and public felicitation. His mission was to preserve Nepali identity among diaspora communities through art, discipline, and cultural pride. Master Mitrasen recorded seven gramophone discs in Calcutta, a rare achievement for a Nepali artist of his era. Out of his 63 known compositions, 23 songs survive in recorded form. In 1942, he wrote “Buddhvaani” in Nepali to spread messages of peace, compassion, and social harmony. He passed away in 1946 while on a cultural tour, leaving behind a legacy that continues to inspire Nepali folk musicians worldwide.