Radhika Kandel

Sita Gurung is a former Nepali stage dancer and film actress. During the mid-1990s, she was actively involved in cultural and comedy programs organized by the legendary Maha Jodi and performed in Nepal as well as abroad, including Hong Kong. She was also a featured dance performer in the popular touring stage show Shikhar Sanjh, which traveled to various parts of the country and attracted large audiences.Building on her success as a stage performer, Sita Gurung later entered the Nepali film industry and appeared in movies such as Aaghat (1996) and Daiva Sanjog (1998). Although there is little evidence of her continued involvement in the entertainment industry today, her beauty, talent, and stage presence left a lasting impression on the Nepali artistic scene of her era.

Puran Joshi is a Nepali actor, director, and producer known for his steady contribution to contemporary Nepali cinema and television. Active across multiple creative roles, he has built a reputation for thoughtful storytelling, disciplined craft, and a strong command of both performance and direction. Joshi has worked on a range of projects—from feature films to TV serials—often focusing on socially grounded narratives and character‑driven drama. His involvement in production further highlights his commitment to strengthening Nepal’s film ecosystem, making him a versatile and respected figure in the industry.

Raj Pangeni Sharma is a Nepali film and television actor whose work spans independent cinema and contemporary series‑style storytelling. He is best known internationally for his performances in the feature film Basenji (2023), the short film Mango Pickle (2020), and the TV mini‑series Sano Sansar – Stories of Middle Class (2023/2024), where he portrays nuanced, everyday characters with emotional restraint and realism.

Pashupati Rai is a Nepali film artist known for his steady presence in supporting and character roles across commercial and social‑themed Nepali films. Active since the early 2010s, he has contributed to a range of projects that highlight everyday Nepali life, emotional storytelling, and ensemble‑driven narratives. Rai is recognized for his grounded acting style, natural dialogue delivery, and ability to portray relatable characters that connect with mainstream audiences.He continues to work across feature films, short films, and occasional music‑video appearances, maintaining a consistent presence in the evolving landscape of Nepali cinema.