Nikhil Upreti

Narayan Puri is a veteran Nepali film director known for his contributions to the golden era of Nepali cinema. Born on January 15, 1968, in Syangja, Nepal, he has directed several acclaimed films that span genres from drama to action. His notable works include Shankar (1997), Ragat (1997), Mamaghar (2002), and Aago (2000), all of which are remembered for their storytelling and emotional depth. Puri’s directorial style often blends social realism with strong character arcs, and he played a key role in shaping the narrative tone of 1990s and early 2000s Nepali films. His film Mero Hajur (2002) also gained popularity for its romantic elements and musical appeal.

Yash Kumar, born Suresh Kumar Nepal Pariyar on November 16, 1978, is a renowned Nepali singer, songwriter, music composer, and actor. He has made significant contributions to the Nepali music and film industry. Career Highlights Music Albums: Yash Kumar started his musical journey as a composer in 2000 with his debut album "Yo Sansar." Some of his notable albums include "Reason," "Tirkha," and "Na Rune Aakha Haru". Popular Songs: His song "Maile Chhoyeko Paani Chaldaina" from the album "Reason" became a chartbuster and earned him several awards. Acting: Yash Kumar made his acting debut in the movie "Bato Muniko Phool" in 2010, which was the highest-budget movie in Nepal that year. He has also acted in films like "Veer," "Aadhi Bato," and "Tshering". Awards: He has received numerous awards, including Best Playback Singer at the 3rd Himalayan International Nepali Music Award (Dubai) in 2020, Best Modern Singer at the 4th Epic Nepal Music Award 2079, and Best Decade Singer at the AMIN National Music Award 2023

Amar Rasaili is a Nepali film director, production designer, and writer known for his multidisciplinary contribution to contemporary Nepali cinema, working across story, screenplay, and visual design to shape emotionally grounded and visually coherent films. Active in direction and art‑department leadership, he is recognized for blending narrative clarity with strong production aesthetics, often developing his own story concepts and screenplays while overseeing the film’s visual world. His work reflects a collaborative, detail‑driven approach that connects performance, design, and storytelling, positioning him among the new‑generation creators contributing to the evolving craft of Nepali filmmaking.

B.S. Thapa is recognized as one of the early pillars of Nepali cinema, contributing as a director, writer, and actor during the formative decades of the industry. He is best known for directing the acclaimed film Manko Baadh (1973), which earned strong appreciation for its emotional depth and social storytelling. Thapa also worked on several influential projects that helped shape the narrative style of Nepali films in the 1970s and 1980s, bringing literary sensitivity and dramatic realism to the screen. His commitment to character‑driven stories and disciplined filmmaking made him a respected figure among his contemporaries. Through his films, mentorship, and long-standing dedication to the craft, B. S. Thapa played a meaningful role in strengthening the foundation of Nepali cinema.