Jeevan Ale

Durga Prasad Khatiwada is a renowned Nepali bansuri (flute) maestro, educator, and cultural ambassador, originally from Ilam. A graduate of Banaras Hindu University with a Master’s in Flute (2003), he has performed in over 20 countries, representing Nepal at prestigious events—including during state visits by leaders like Xi Jinping and Narendra Modi. Khatiwada is a music officer at Rastriya Nachghar and has taught classical music at institutions like Lalit Kala Campus and Sirjana College of Fine Arts. He pioneered flute education in Nepal’s higher education system by developing formal curricula. His international teaching includes sessions in Norway, Sweden, Germany, and France. Inspired early on by Gopal Yonjan, Khatiwada has dedicated his life to promoting classical music as the foundation of all musical forms. His performances and teachings emphasize peace, discipline, and cultural identity, making him a vital figure in Nepal’s musical heritage.    

Kiran Nepali, a renowned Sarangi player from Nepal, is a member of the folk band Kutumba. He is a third generation Sarangi player in his family, and explains that he is greatly influenced by his grandfather, father and uncles, who were all Sarangi players of their times.

Shisir Shrestha is a respected Nepali guitarist and music educator who trained under the legendary composer Ambar Gurung. Known for his refined technique and deep understanding of both Eastern and Western musical traditions, Shrestha contributed to numerous compositions and recordings during his time with Gurung’s team. He has performed in classical and contemporary ensembles, supporting the evolution of Nepali modern music. Beyond performance, Shrestha has mentored young musicians and promoted structured music education in Nepal. His work reflects the legacy of Ambar Gurung’s vision — blending tradition with innovation in Nepali music’s instrumental landscape.

Ganga Thapa is a Nepali composer, producer, ethnomusicologist, and multi‑instrumentalist known for his research‑driven approach to music and his fusion of traditional Nepali sounds with contemporary arrangements. His work spans field documentation, studio production, and multi‑instrumental performance, making him a key figure in the preservation and modern reinterpretation of Nepali musical heritage.