Gangadhar Naskar

Manju Kumar Shrestha is a Nepali cinematographer who played an important role in the early technical development of Nepal’s film industry. In 2029 B.S., he joined the Royal Nepal Film Corporation (then known as Shahi Nepali Chalchitra Sansthan).In 2030 B.S., he worked as a film photographer for the corporation’s first production, Man Ko Bandh. At that time, most technical experts in Nepali filmmaking—such as directors, cameramen, and lighting technicians—had to be brought from India due to the lack of local professionals.During the shooting of Man Ko Bandh, the Indian cinematographer fell ill, and Shrestha stepped in to operate the camera himself. Although he carried out much of the filming, he was credited only as an assistant cameraman when the film was released. This experience marked the beginning of his career as a cinematographer.He later went on to shoot many Nepali films, including Kumari, recognized as Nepal’s first color film, and Jeevan Rekha. Over the course of his career, Manju Kumar Shrestha has worked as a cinematographer on more than 70 films, making a significant contribution to the growth and technical progress of Nepali cinema.

Sitaram Pokharel is a distinguished Nepali musician known for his contributions to modern and pop music. Born on October 4 in Simpani, Khotang, Nepal, he pursued a Bachelor’s degree in Arts with a focus on Economics. Despite his academic background, his passion for music led him to become one of Nepal’s most recognized artists. His musical journey began with The Tinos Group, a band formed in 1980. He released his first song, Sajaidiyeu, on Radio Nepal in 1985, marking the start of a prolific career. Over the years, he has composed and performed more than 40 songs and released 14 music videos, making a lasting impact on the Nepali music scene. Throughout his career, Sitaram Pokharel has released several acclaimed albums, including Prayas (1998), Khoji Herinau (2001), Binakaran (2005), Spark (2008), October 4 (2009), and Samman (2011). His songs and music videos have featured some of Nepal’s top models and actresses, such as Ruby Rana, Sumi Khadka, Nisha Adhikari, and Arunima Lamsal. His dedication to music has earned him numerous accolades, including the Nepal Freedom Press Union Award and the Annapurna Music Award (2066 B.S.). He has also held significant roles in musical organizations, serving as Vice President of Purwanchal Sangitik Kalakar Manch, Vice President of Simple Art, Baneshwor, and a Member of the Nepal Musical Association. Beyond music, Sitaram Pokharel is known for his love of traveling to collect songs, as well as his passion for football and table tennis. His favorite song is Ma Maunta Ma by Om Bikram Bista, and he greatly admires singers like Udit Narayan Jha and Sonu Nigam. Despite his love for music, he dislikes excessive talkativeness and smoking, especially in enclosed spaces. One of his most memorable experiences in his career was an all-night video shoot for Aankhako Nanima, reflecting his dedication to his craft. He expresses deep gratitude to his fans and the models who contributed to his music videos’ success. Sitaram Pokharel remains a respected and influential figure in the Nepali music industry, continuing to inspire new generations of artists and music enthusiasts alike.

Starting from the foundational years of modern Nepali cinema, Narendra Khadka has built a distinguished career as one of Nepal’s most prolific and respected film editors. Active since 1989, he has edited more than 36 feature films, shaping the narrative rhythm and visual language of Nepali commercial and social‑themed cinema. His editorial work spans classics such as Rajamati (1995), Seemana (1996), Zameen (1998), Basanti (2000), and Prem Yuddha (2005), establishing him as a key technical figure in the industry.Beyond editing, Khadka has contributed as a story writer and chief assistant director, demonstrating a deep understanding of cinematic structure and storytelling. His long service to Nepali cinema was formally honored when he received a Lifetime Achievement Award at the 7th LG Cine Circle Awards, recognizing his decades of dedication and his role as the founding principal of the College of Film Studies.With a career spanning over three decades, Narendra Khadka remains a senior figure whose disciplined craft, technical precision, and editorial leadership continue to influence new generations of Nepali filmmakers.

Devika Moktan (1985) is the actor of the film Jar.