Sitaram Pokharel

Master Mitrasen Thapa Magar (1895–1946) was a pioneering Nepali folk singer, dramatist, social reformer, and cultural ambassador whose work laid the foundation for organized Nepali folk performance. Born in Bhagsu, Dharamshala, he served in the Gurkha Regiment before dedicating his life to music, theatre, and community upliftment. He performed widely across India and Nepal, including Kathmandu Durbar, where he presented folk songs, dramas, and shamanic‑influenced performances, earning high recognition and public felicitation. His mission was to preserve Nepali identity among diaspora communities through art, discipline, and cultural pride. Master Mitrasen recorded seven gramophone discs in Calcutta, a rare achievement for a Nepali artist of his era. Out of his 63 known compositions, 23 songs survive in recorded form. In 1942, he wrote “Buddhvaani” in Nepali to spread messages of peace, compassion, and social harmony. He passed away in 1946 while on a cultural tour, leaving behind a legacy that continues to inspire Nepali folk musicians worldwide.

Bishwo Dong is a celebrated Nepali and Tamang singer, composer, songwriter, and arranger known for his vibrant contributions to the Tamang Selo and Lok Pop genres. Born on January 23, 1984, in Kavrepalanchok, Nepal, he grew up in the culturally rich hills of Temal. His musical journey began after completing his SLC in 2055 BS, when he joined Sangeet Sadhana Music School and trained under Kailash Rai and later Aaga Lama. He often collaborates with artists like Sumina Lo, Sashikala Moktan, and Jamuna Yonjan, and his music blends traditional Tamang rhythms with modern arrangements. His studio, Dong Studio, is a hub for his creative productions.

Shiva Shankar Manandhar (1932–2004) was a legendary figure in Nepali music and cinema, celebrated for his versatility as a singer, composer, and actor. Born in Newroad, Kathmandu, to a musically inclined Newar family, his early exposure to classical Newari songs through his father, Man Bahadur, laid the foundation for his lifelong devotion to music. He joined Radio Nepal in 1951, where he collaborated with Nati Kaji to shape the golden era of Nepali music. Over his prolific career, he composed around 1,200 songs and sang nearly 300, spanning genres like love ballads, bhajans, patriotic anthems, and tragic melodies. His compositions for artists such as Narayan Gopal, Tara Devi, and Aruna Lama remain timeless. 🎬 In cinema, Shiva Shankar played the lead role of Lahure Dai in Aama (1964), Nepal’s first feature film. Though he didn’t pursue acting further, he composed music for several early Nepali films, contributing to the industry's formative sound. 🎶 Sadabahar (Evergreen) Songs: Aama ko sapana – a heartfelt tribute to motherhood Yo Nepali shir uchali – a patriotic anthem Timro lagi ma birsine – a romantic classic His music blended folk traditions with orchestral arrangements, pioneering modern Nepali pop while preserving cultural authenticity. Shiva Shankar received numerous national honors and served as Executive Director of Ratna Recording Corporation (1987–1991). Even post-retirement, he remained a guardian of Nepal’s musical soul.

Sundar Shrestha is a veteran Nepali folk singer and lyricist best known for co-performing the iconic song “Resham Firiri” in 1969. Alongside Dwarika Lal Joshi, his rendition helped popularize the song across Nepal, making it a staple of street music and cultural gatherings. Active since the 1970s, Shrestha contributed to numerous folk recordings and live performances, preserving traditional melodies and rhythms. He also collaborated on songs like Chautariko Majhaima and worked with artists such as Chandra Kumar Moktan and Hira Devi Rai. His legacy lies in promoting Nepali folk music through Radio Nepal and live platforms for over four decades.