Suvendu Raj Ghosh

Yam Thapa is a Nepali film writer and director known for his work across story, screenplay, dialogue, and direction in modern Nepali cinema. Active since 2014, he has contributed to several notable films, including Kohinoor (screenplay, dialogue), K Ma Timro Haina Ra (screenplay), and the acclaimed Blind Rocks (story). His breakthrough as a director came with Hurray (2018) and Rajja Rani (2018), followed by the emotional drama Meri Mamu, where he served as both writer and director.Thapa’s recent works include writing and directing the upcoming film Lalibazar (2026), and contributing story, screenplay, and dialogue to titles such as Paraan (2025) and Anjila (2025). His storytelling blends social realism with emotional depth, making him one of the consistently active multi‑disciplinary creators shaping contemporary Nepali cinema.

D.B Pariyar was a pioneering Nepali filmmaker best known for directing, writing, and shaping Satya Harischandra (1950), widely regarded as the first Nepali‑language feature film. Working from India during the early diaspora era of Nepali cinema, Pariyar helped establish the narrative, technical, and cultural foundations that later filmmakers would build upon. His contribution marked a defining moment in the transition from stage traditions to cinematic storytelling for Nepali audiences. Though historical documentation remains limited, Pariyar’s role as director, scriptwriter, and story creator positions him as one of the earliest architects of Nepali film history  

Deepak Prasad Acharya is a prominent Nepali film and television artist whose career spans acting, writing, and direction. He first became widely recognized through the hit Nepali sitcom Sakkigoni, where he played the beloved character “Kaku”, establishing himself as a natural comic actor with strong emotional range. Building on his television success, Acharya transitioned into filmmaking, writing stories rooted in Nepali family life, social values, and emotional realism. His breakthrough as a filmmaker came with Paran (2025) a social‑drama film that marked his directorial debut, written by him and produced under Biscope Cinema. Alongside direction, he has contributed as a lyricist, co‑writing songs such as Oye Bhanda Ni Bolena and Khyal Gari Sachaula for Paran.

Madan Ghimire is an experienced and active Nepali film director who has contributed to direction, writing, and production for more than two decades. He is known for blending emotional storytelling with commercial appeal, earning recognition across mainstream Nepali cinema. Ghimire’s notable works include Maya Namara (2002), one of his early successful films, the action‑driven Aago 2 (2015), youth‑focused Boyfriend (2019), and the sequel Aandhi Tufan 2 (2023). Over his career, he has worked on around 27 films, including Kauso, Bouncer, Jeevandata, Dadagiri, Faisala, and Maya Gar La, establishing himself as a consistent and dedicated filmmaker in Nepali cinema