Yam Thapa

Shivam Adhikari is a prominent Nepali screenwriter, director, and dialogue writer active in the film industry since the early 2000s. Credited across more than 60 films as story, screenplay, and dialogue writer—and at times as director, lyricist, and cast member—he has worked on titles such as Meri Aama (2004), Swabhiman (2010), Sanglo (2019), Kopila (2020), and the recent Pariwartan (2026). His writing has earned multiple major award nominations, including for Panchayat and Parai, establishing him as one of contemporary Nepali cinema’s key narrative architects.

Early Life: Shekhar Lama was born on March 9th in Bhimeshwor-07, Dolakha, marking the inception of a future luminary in the Nepali film industry. Growing up with a passion for the arts, he demonstrated early inclinations towards creative expression, particularly in the realm of cinema. Career Overview: With an unwavering commitment to the art of filmmaking, Shekhar Lama ventured into the Nepali film industry, showcasing an eclectic blend of talents as a Producer, Director, Actor, and Choreographer. In 2014, he established "The Palm Group Pvt. Ltd," a production company that became a beacon for his creative endeavors. Industry Contributions: Apart from his creative pursuits, Shekhar Lama actively participates in various industry associations, serving as an Executive Member of the Nepal Film Producer's Association and holding membership in esteemed organizations like the Film Artistes Association of Nepal (FAAN), Film Dance Association of Nepal (FDAN), and Nepal Film Society. Vision and Legacy: Driven by a relentless passion for film, Shekhar Lama continues to push boundaries and inspire aspiring filmmakers, leaving an indelible mark on the Nepali film industry through his visionary storytelling and multifaceted contributions.

D.B Pariyar was a pioneering Nepali filmmaker best known for directing, writing, and shaping Satya Harischandra (1950), widely regarded as the first Nepali‑language feature film. Working from India during the early diaspora era of Nepali cinema, Pariyar helped establish the narrative, technical, and cultural foundations that later filmmakers would build upon. His contribution marked a defining moment in the transition from stage traditions to cinematic storytelling for Nepali audiences. Though historical documentation remains limited, Pariyar’s role as director, scriptwriter, and story creator positions him as one of the earliest architects of Nepali film history  

Reshraj Acharya was a respected Nepali film director known for his emotional storytelling and strong command of family and social‑themed cinema. He began his directorial journey with the film Tilhari and went on to direct notable works such as Tuhuro, Mato Bolchha, Bandhan, Aama, Man Muttu Ra Maya, Mayako Saino, Bhagyale Jurayo, Nagad Narayan, and Dharmasankat. His final directorial project was Preetiko Phool. Acharya also directed television serials including Dushman and Aama, and served as assistant director on films like Sapana, Sampatti, and Mayalu. He passed away on Falgun 5, 2078 B.S., at the age of 64.