Kumar Shah

Nischal Basnet is a celebrated Nepali director, actor, writer, and playback singer known for revolutionizing modern Nepali cinema. Born on January 17, 1980, in Birtamod, Jhapa, he studied film at Oscar International College. His directorial debut Loot (2012) became a cult hit, followed by acclaimed films like Talakjung vs Tulke (2014) and Loot 2 (2017). As an actor, he starred in Kabaddi Kabaddi, Dui Rupaiyan, and Prasad. Known for blending realism, dark humor, and social commentary, Basnet is married to actress Swastima Khadka. His work continues to shape the narrative and technical evolution of Nepali cinema.

Deependra Gauchan is a renowned Nepali film director, screenwriter, and producer who has made significant contributions to the film industries of both Nepal and Cambodia. Contributions in Nepal "Ujeli: A Child Bride in Nepal": This social tragic drama, directed by Deependra Gauchan and produced by UNICEF, highlights the issue of child marriage in Nepal. The film portrays the life of a 10-year-old girl forced into an arranged marriage, shedding light on the sharp distinctions between the roles of boys and girls in Nepal. Other Works: Deependra has also worked on various other projects, including "Sneh Svaikun 4" and "Viplas/Rachana," showcasing his versatility and dedication to the Nepali film industry. Contributions in Cambodia "Love 2 the Power of 4": Deependra co-directed this Khmer-language romantic comedy alongside Cambodian co-director and co-writer Sothea Ines. The film explores the relationships of four young, middle-class Cambodian couples as they navigate their professional and romantic aspirations. It addresses sensitive issues such as relationships between transgender people, trauma, suicide, and abortion, making it a significant contribution to Cambodian cinema. Deependra Gauchan's work in both Nepal and Cambodia has been instrumental in addressing social issues and promoting cultural narratives through film. His dedication to storytelling and his ability to tackle complex themes have made him a respected figure in the film industry.

Prakash Sayami (born 21 March 1965) is a Nepali film director, writer, producer, and one of the country’s most respected media personalities. Known for his independent filmmaking spirit, Sayami has directed six feature‑length films, including Prithvi (1994), Simana (1997), Avtaar (2002), Zameen (2005), Rani Khola (2008), and Hatiyar (2010). Among them, Simana remains his most celebrated and widely recognized work.Beyond cinema, Sayami is a passionate writer and an avid collector of books, maintaining a personal library filled with English, Hindi, and Nepali literature. He is the author of Barshadi Dinharu and has written extensively on filmmaking, along with publishing poems, essays, plays, songs, and biographies. A multilingual creator, he writes in Newari, Hindi, English, and Nepali.Sayami studied filmmaking in Bombay and began his career in 1986 as an assistant director and scriptwriter for commercial Nepali films. He made his directorial debut in 1993, marking the beginning of a long and influential journey in Nepali cinema.He has represented Nepal in several international events, including the WIPO Asia‑Pacific Regional Symposium, and in 2008, he was elected Vice‑President of the Music Royalty Society of Nepal, working to protect musicians’ copyrights nationally and internationally.A respected film critic, media guru, and music promoter, Sayami has managed FM stations across Nepal and conceptualized popular television programs. He is currently associated with Ujyaalo 90 Network, contributing to the program Ajar Amar Geetharu.

Amar Rasaili is a Nepali film director, production designer, and writer known for his multidisciplinary contribution to contemporary Nepali cinema, working across story, screenplay, and visual design to shape emotionally grounded and visually coherent films. Active in direction and art‑department leadership, he is recognized for blending narrative clarity with strong production aesthetics, often developing his own story concepts and screenplays while overseeing the film’s visual world. His work reflects a collaborative, detail‑driven approach that connects performance, design, and storytelling, positioning him among the new‑generation creators contributing to the evolving craft of Nepali filmmaking.