Surendra Shrestha

Laxman Shesh (also known as Laxman Bindari, born 18 August 1972, Hetauda) is a renowned Nepali music composer, music director, lyricist, and playback singer with a career spanning from 1988 to the present. Recognized officially as a “Renowned Class Music Composer/Music Director” by the Nepal Academy of Music and Drama under the Government of Nepal, he has become one of the key figures in modern Nepali film music.He has worked in more than 60 Nepali feature films, contributing as music director, lyricist, playback singer, and background‑score composer. His filmography includes titles such as Muna Madan, Mayako Saino, Timi Bina, Timro Maya 99 Mero Maya 100, Naya Nepal, Kina Lagchha Maya, Ko Hu Ma, Basanta Ritu, Nagarik, and Je Sukai Hos, among many others.Beyond composing, Shesh has been deeply involved in music and film policy and rights work: he has served on the Piracy Control Committee of the Nepal Film Development Board, the Film Censor Board, the Music Royalty Collection Society, and several government committees on copyright and intellectual property policy.

Kishor Thapa is a seasoned music director, arranger, and audio engineer from Gorkha, Nepal, known for his meticulous craftsmanship in mixing and mastering. He is affiliated with A One Musician Studio, where he has contributed to numerous musical productions across genres, helping shape the sonic identity of many Nepali artists. In 2025, Kishor Thapa was honored as a Grand Jury Member on Sa Re Ga Ma Pa Lil' Champs Nepal Season 2, one of the country’s most celebrated children’s singing competitions. His role on the jury panel reflects his deep expertise and commitment to nurturing young musical talent. With a background that blends technical precision and creative vision, Kishor continues to be a vital force in Nepal’s evolving music industry—both behind the scenes and in mentorship roles.

Hailing from the picturesque hill station of Darjeeling, Nivangelo brings a breath of fresh air to the Nepali music scene. Now based in the vibrant city of Hyderabad, this singer and music producer isn't afraid to push boundaries. His musical style seamlessly blends genres, incorporating elements of Folk Rock, Pop, and even Hip-hop, resulting in a sound that's both unique and undeniable. Nivangelo's soulful vocals take center stage, whether delivering heartfelt ballads like "Timro Yaad" or weaving his magic on the more upbeat and evocative tracks like "Timi Bahek Afnu Vanne." With a string of Nepali songs already under his belt, Nivangelo is poised to make a significant impact.

Saran Kumar Pradhan (1943–1974) was one of Darjeeling’s most gifted lyricists, composers, and mandolin virtuosos, shaping the golden era of modern Nepali music. Born on 4 May 1943, he grew up in a culturally vibrant Darjeeling and taught himself banjo, harmonium, and mandolin with remarkable mastery. A science graduate from St. Joseph’s College, he later taught at St. Robert’s School, where he also composed the school anthem. A student of maestro Amber Gurung, Saran emerged as a leading figure of Adhunik music alongside Aruna Lama, whom he married in 1963. Their partnership produced timeless classics such as “Yaha Ful Nakhili Cha,” “Sabaile Bhanthe,” “Hera Na Hera Kancha,” and many others. His music club Sangeet Sangam became a creative hub that nurtured Darjeeling’s finest talents. Saran passed away in 1974 at just 31, leaving behind a luminous body of work that continues to define Nepali musical heritage.