Siru Bista

Ranjana Bhattarai is a Nepali theatre artist and film actress active in contemporary Kathmandu theatre and South Asian cinema. On stage, she has worked with groups like Katha Ghera and Kausi Theatre, performing in acclaimed productions such as “Wedding Album” (as bride Bidushi Koirala) and “Play the System” (as Namita), where she portrays complex, modern Nepali women navigating family and workplace pressures.On screen, Bhattarai appears in the Nepali‑language Indian film “Harry Ki Pyari” (2023) in the role of Urmila, and in the TV mini‑series “A Glass of Happiness” (2021), where she is credited both as an actress (Pari) and as part of the costume/wardrobe team (stylist). This dual presence in performance and behind‑the‑scenes work reflects her broader craft as a theatre‑trained artist who understands character, costume, and visual storytelling.

Samundra Bhatta is a Nepali filmmaker, director, and writer known for her bold storytelling and cultural depth. A graduate of Toronto Film School, she made her directorial debut with Aadha Page (2016), a romantic drama. Her breakthrough came with Gunyo Cholo: The Dress (2024), a powerful film exploring gender identity and social stigma, starring Najir Husen. The film was selected for the prestigious Photo Film Market in Seattle, USA, gaining international attention. Bhatta’s work blends traditional Nepali themes with contemporary narratives, reflecting her commitment to inclusive cinema. As a rising voice in South Asian film, she continues to challenge norms through visual storytelling.

Starting from his early years in Nepali commercial cinema, Ravi Shah established himself as a dependable character actor known for his calm screen presence, expressive delivery, and versatility across drama, family, and social‑themed films. Active since 1985, he has contributed to more than 50 Nepali feature films, often portraying father figures, community elders, and emotionally grounded supporting roles.Shah’s career spans the golden era of 1990s Nepali cinema through the transitional 2000s, with memorable performances in films such as Kanyadaan (1991), Maya Preeti (1989), Pachhis Basanta (1989), Badal Paree (2001), Manmandir (2002), Pahuna (2003), Aankha Lobhi Man Papi (2003), and Godhuli (2003). His long filmography reflects steady, respected participation in mainstream Nepali filmmaking, and he is also credited as a legal advisor in the industry.

Basundhara Bhusal is a celebrated Nepali actress whose career spans more than five decades, making her one of the most enduring figures in Nepali cinema. She began acting as a child artist and gained national recognition with her performance in Aama (1964), the first Nepali feature film produced in Nepal. Bhusal went on to appear in over 135 films, including notable works such as Manko Baadh, Sindoor, Ke Ghar Ke Dera, and Basudev. Known for her expressive acting and strong screen presence, she became a defining face of early Nepali cinema. Her contributions earned her multiple honors, including lifetime achievement awards recognizing her influence on film, theatre, and the cultural development of Nepal’s performing arts.