Manju Shrestha

Kiran KC, known popularly as Raata Makai (राता मकै), is a Nepalese actor, producer, television personality, singer, entrepreneur and philanthropist. He is known for his comic timing. He is also known for his performance in Je Bho Ramrai Bho (2003), Ta Ta Sarai Bigris Ni Badri (2000) and Jire Khursani (2003 – present). He has been actively associated with television since its early days in Nepal and has appeared in a handful of comedy pieces. He has been seen on the Nepali comedyTV Serial Jhire Khursani and became popular among Nepali viewers as Rata Makai (राता मकै).

Ram Babu Regmi is a Nepali actor, casting director, theatre trainer, writer, and committed theatre activist known for his grounded performances and community‑driven artistic work. With roots in stage practice, he mentors emerging actors while shaping authentic casting and storytelling across theatre and screen.

Sarita Sah is a Nepali theatre artist and actor recognized for her expressive stage presence and her dedication to character‑driven performance. Active in contemporary Nepali theatre, she has contributed to productions that explore social issues, personal identity, and community narratives. Sah’s acting style is rooted in realism, emotional clarity, and disciplined craft, making her a dependable performer in both ensemble and lead roles. Expanding her work into screen acting, she continues to bring the depth and sensitivity of theatre to film and television projects

Prakash Kumar Adhikari is a veteran Nepali actor and legal advisor active in the film industry since 1989. He debuted with Anyay and gained recognition through films like Pheri Bhetaula (alongside Manisha Koirala), Behuli, Ghar Aangan, Ishwor, Aago, Khelauna, Ladain, Captain, and Yatra. With over a dozen films to his credit, Adhikari is known for portraying emotionally resonant and socially aware characters. He has also served as a legal advisor for films such as Rang Baijani and Aafanta. His contributions span acting, legal guidance, and advocacy for ethical practices in Nepali cinema.