Nukul Singh Gurung

Sachin Singh is a Nepali musician based in Kathmandu, Nepal. He has composed and arranged music for more than 45 Nepali films. He has also composed music for numerous music albums of various Nepali singers. In Kathmandu, Sachin started working in Symphonic Studio as a guitarist, taught music in schools and played guitar in a restaurant. He composed song Hijo Aaja for Sukmit Gurung's album Hijo Aaja in 1991. He then arranged music for the Nepali film Sweekar of Subodh Shridhar. After a gap of two years he again worked in the film Dharma where he went unnoticed. He gained attention with the song Mero Maya Lai Bari Lai in Ragat (1997). His fame came with the film Sagun (1998) where he composed popular songs like 'Aago Lagyo Dilaima Damkal Bolaideu'. This was a turning point in the Sachin's musical career. Lathi Charge Nagara, Kahabata Ayau Aja, Kasko Aankha Lagyo (Prahineer), Sano Cha Gaun (Sano Sansar) and Ke Kura (Ajhai Pani) are some of this well-known compositions.

Anup Das is a Nepali guitarist and bass guitarist active in studio recordings, live performances, and session work across Kathmandu’s music scene. His playing appears in multiple recording studios—including Mahol Studio, Studio Sangam, and Studio King—where he is frequently featured in bass‑guitar sessions, rhythm‑guitar recordings, and instrumental projects.He is known for his versatile guitar work, performing everything from acoustic covers to bass‑driven Nepali folk, pop, and contemporary arrangements. His presence across numerous studio videos and recording sessions highlights his role as a reliable session instrumentalist, contributing to the sound of many artists behind the scenes.With a growing digital footprint through studio features and performance clips, Anup Das represents the class of dedicated Nepali instrumentalists whose craft supports both emerging and established singers in Nepal’s evolving music industry.

Navras Shrestha is the founder, lead vocalist, guitarist, lyricist, and composer of The Lakhey, Nepal’s pioneering Newa (Newari) metal band based in Kathmandu. Known for blending traditional Newar musical elements with the power and edge of metal, Navras has carved out a space for a truly indigenous and modern sound that speaks both to cultural identity and musical evolution. His first Newa metal song, Dhampa Tacha, was recorded in 2005—a bold and groundbreaking transformation of a Newa rap piece into a heavy, guitar-driven anthem that laid the foundation for what would become the Newa Metal genre. Over the years, Navras has created and performed a variety of original songs and covers that showcase his wide-ranging musicality. Tracks like Jeevan, Miss Julie (a fully home-recorded, arranged, mixed, and mastered song), and Ae Kancha (a duet cover with a female vocalist) reflect both his technical abilities and his emotional range as a musician. His reimagining of Malshree Dhun—a revered Newari and Nepali traditional piece—is particularly notable for incorporating Spanish and Indian Rajasthani techniques and a touch of Hindustani classical flavor with heavy drumming, giving the folk tune a new life in a contemporary soundscape. Navras’s musical curiosity extends beyond local traditions—he has embraced songs in foreign languages, including a Georgian piece (Erti Nakhavit by Chveneburebi), while also composing original works like Swagta Mu Hai Nheeaye in Nepal’s Thakali language. In 2022, Navras completed his Master of Fine Arts in Music with a focus on Hindustani Classical music. During this time, he developed a deep interest in songs from various ethnic and regional backgrounds of Nepal. Rather than simply studying them academically, Navras has immersed himself in the melodies, rhythms, and stories found in songs of Nepal Bhasa (Newar), Charya (ritual Buddhist music), Tharu, and Limbu and other indigenous languages. He is currently preparing to record and preserve these culturally significant pieces with modern arrangements—ensuring their continuity and relevance for future generations. His academic contribution is also noteworthy. For his master’s thesis, Navras conducted in-depth research on Dapha music (Asan Bajan Guthi). His thesis has since become a valuable resource for members of the Guthi and other musicians who are interested in traditional music. The work not only documented the artform but also shed light on the present condition and challenges faced by the community in keeping their musical heritage alive. While music is his core identity, Navras Shrestha is also a skilled Full Stack Web Developer by profession and currently works at GTA Nepal. His ability to balance a demanding tech career with an expansive artistic practice speaks to his discipline and creativity. In addition, he is deeply passionate about photography and videography. From capturing evocative model portraits to creative visual storytelling, his visual work complements his music, allowing him to express his artistry across multiple forms. Whether through metal riffs rooted in Newa culture, folk songs from across Nepal’s diverse communities, world music explorations, or visual compositions, Navras Shrestha stands out as a multi-talented, cross-disciplinary artist. He continues to inspire others not just with what he creates, but with how he connects deeply to culture, community, and creativity.

Dewasish Tamang is a Nepali lead guitarist, musician, and session performer known for his expressive playing style, technical clarity, and versatility across modern, pop, fusion, and instrumental music. He gained national visibility as a finalist in the Deepak Moktan Guitar Competition (DMGC) 2018/19, where he delivered multiple high‑level performances using ESP/LTD guitars and professional multi‑effects processors. According to the competition profile, Dewasish works as a freelance musician and session guitarist, has been involved with Nepal Idol and The Voice of Nepal as a backup musician, and has toured across Nepal and abroad.