Prashamsa Subedi

Jitendra Mahat Abhilasi (1956–2004) was a pioneering Nepali stage, radio, television, and film actor known for his powerful voice, disciplined craft, and exceptional contribution to Nepali performing arts. Born on 11 September 1956 in Kabilas, Nuwakot, he began his artistic journey as a student with a deep interest in theatre and literature. Abhilasi wrote, directed, and acted in his first historical play “Shree 5 Ranabahadur Shah” (1969) and went on to perform in over 482 radio dramas, 460 radio scripts, and more than 60 stage plays. He appeared in around 40 telefilms and over three dozen feature films including Manko Baadh, Basudev, Anyaya, Koseli, Chino, Basanti, Lagangatho, and Simarekha. Renowned for his radio drama legacy and versatile screen presence, Abhilasi remained one of Nepal’s most respected multi‑disciplinary artists until his passing on 27 September 2004.

Rajani Rana – Nepali Actress Known for: Simarekha (1997) – A well-regarded film in Nepali cinema Daag (2001) – Another notable performance that added to her reputation Abiral Bagdachha Indrawati (2057 BS) Career Highlights: Rajani Rana was active in the late 1990s and early 2000s, appearing in films that contributed to the golden era of Nepali film. Her roles often reflected strong emotional depth and cultural nuance. Other Appearances: She also starred in the film Bansha, alongside Shikha Malla and Kalyan Ghimire, directed by Shyam KC.

Thinley Lhamo (born circa 1997) is a Nepali-Tibetan actress best known for her powerful role as Pema in Shambhala (2024), Nepal’s Oscar entry and Berlinale selection. She previously starred in Naakaa (2017) and Hari (2018). Her performance in Shambhala earned her the Boccalino d’Oro Prize for Best Acting Performance at the 77th Locarno Film Festival. Lhamo’s journey began with the Nepal Tibet Opera Association, where she honed her stage presence. She trained under Anup Baral before landing the lead in Shambhala, a film shot in Dolpo’s rugged terrain

B.S. Rana is a veteran Nepali actor celebrated for his commanding presence and memorable character roles across several decades of Nepali cinema. Known for his natural performance style and disciplined craft, he has appeared in many acclaimed films, contributing depth to social dramas, family stories, and commercial hits alike. Rana’s work in classics such as Basudev, Prem Pinda, Chino, Dakshina, Kanyadan, Muna Madan, and Dharma Sankat helped establish him as one of the industry’s most reliable senior actors. His enduring career reflects a rare combination of versatility, professionalism, and a deep commitment to Nepali storytelling.