Thinley Lhamo

actor model at Nepali film industry from Kailali- Nepal .

Dolakha Melung's Pema Lama wants to be a successful model in the future. Pema says she has been in the field since she was a dream to play fashion shows, music videos, from an early age. Pema says - "Aesthetics is very important in modeling". Pema, who believes in aesthetics and artistry in all, depends on how we present it.

Ram Krishna Bajgain is a Nepali film artist active since 1994, known for his work as an actor, producer, audiographer, and later as a director. He has contributed to Nepali cinema across multiple roles, appearing in notable films such as Dakshina (1994), Balidan (1997), Thuldai (1999), Saait (2000), Karma (2001), and others.As a producer, he worked on films including Dakshina (1994), Dautari (1998), Thuldai (1999), Jange (2000), and Karma (2001). He has also served as an audiographer in films like Thuldai (1999) and Lavkush (2006).Bajgain later expanded into direction, directing Sworga Mero Gau (2018). He is recognized for his long, multi‑disciplinary contribution to Nepali cinema, especially during the 1990s–2000s era.

Kiran Nepali is a Nepali film artist, actor, and producer known for his expanding contributions to contemporary Nepali cinema. Originally from Nuwakot, he has spent over a decade working across multiple roles in the industry, building a reputation for bringing fresh perspectives and grounded storytelling to mainstream and commercial films.He has been involved in several notable Nepali films, including Doli, Love Day, Poi Paryo Kale, and Dui Nambari, with the latter two achieving strong commercial success. His work reflects a blend of creative ambition and industry experience, contributing both in front of and behind the camera.Kiran is currently engaged in the post‑production of his film Hattichaap and is preparing new projects such as Dui Numbari 2 and Soli Doli, the latter of which he is directing marking his transition from producer to filmmaker.Beyond cinema, he is also active in entrepreneurial and cultural sectors and holds leadership roles in Nepali social organizations, reflecting his broader engagement with community and cultural development.