Vishal Bhattarai

Chandra Raj Sharma was a prominent Nepali musician and composer, celebrated for his contributions to classical and modern Nepali music. Born on Falgun 24, 2000 BS (1943 AD) in Maitidevi, Kathmandu, he was the son of Sangeet Shiromani Yagya Raj Sharma, who introduced him to classical music. Chandra Raj Sharma pursued formal education in music, earning a Bachelor of Music degree from Prayag Sangeet Samiti, Allahabad, and later a Bachelor of Commerce degree. Throughout his career, he composed music for over 350 modern songs and sang more than 50. He gained fame for his work in Giti Natak (musical dramas) such as "Muna Madan," "Bhrikuti," and "Shree Krishna Lila," as well as Nepali movies like "Kumari" and "Jiwan Jyoti." He also served as a music teacher and held various positions in cultural institutions, including the Cultural Department of His Majesty's Government.

Amrita Uprety is a gifted Nepali flautist and classical musician, known for her soulful performances and dedication to the bansuri (Indian bamboo flute). Originally from Nepal, she has been a residential disciple at Vrindaban Gurukul, the prestigious music school founded by Pt. Hariprasad Chaurasia, for over 15 years. Her training under the legendary maestro has shaped her into one of the most promising female flautists in the Indian classical tradition. Amrita has performed at major cultural events such as the RFPA Holi Festival 2022, and has received accolades including the Girnar Festival Award and the Female Flautist Award from the Sundari Wadan Festival. Her music blends technical precision with emotional depth, captivating audiences across India and Nepal. She continues to represent Nepali talent on international stages, inspiring young musicians—especially women—to pursue classical music with passion and discipline.

Nhuche Bahadur Dangol is a distinguished Nepali folk music educator, researcher, and multi‑instrumentalist, widely respected for his lifelong contribution to preserving and teaching Nepal’s traditional musical heritage. As an Associate Professor at Tribhuvan University, he has dedicated more than 36 years to teaching Nepali folk music, folk musical instruments, and traditional folk tunes to new generations of Nepali students.His career reflects a rare combination of academic depth, practical musicianship, and cultural stewardship. Dangol has played a central role in documenting, teaching, and transmitting the musical traditions of Nepal’s diverse ethnic communities. His classroom work, field knowledge, and performance experience have shaped thousands of young musicians, many of whom now serve as performers, teachers, and cultural ambassadors.Known for his mastery of multiple Nepali folk instruments, Dangol emphasizes authentic technique, historical context, and cultural meaning in his teaching. His approach blends scholarship, performance, and preservation, making him one of the most influential figures in Nepali folk music education.Through decades of service at Tribhuvan University, he has contributed to curriculum development, academic research, and the institutional recognition of Nepali folk music as a formal discipline. His work continues to strengthen the identity, continuity, and global appreciation of Nepal’s musical heritage.

Shree K.C. is a promising young Dhrupad singer from Nepal, known for his deep, meditative vocal style rooted in the ancient Hindustani classical tradition. Recognized by the Society of Classical Music Nepal, he has been featured in curated sessions that spotlight emerging voices in classical music. His performances are marked by spiritual intensity, precise intonation, and a profound understanding of raga structure. Shree K.C. is part of a new generation of Nepali classical musicians who are reviving interest in Dhrupad—a genre known for its devotional and introspective qualities. He often performs in intimate baithak-style concerts and educational forums, helping to bridge traditional music with contemporary audiences. His dedication to vocal purity and disciplined practice reflects the guru-shishya parampara (teacher-disciple tradition), and he continues to grow as both a performer and cultural ambassador for Nepal’s classical heritage.