Suraj Pandey

Raj Bahadur Sane, born on April 14 in Jumla, Nepal, is a Nepali writer and director known for his contribution to socially grounded and character‑driven cinema. Beginning his career in 2012, he has worked on films such as Pathshala, The Return Hero, Lati, Vrindavan, Birangana, Doli, Good Friend, Silly Pho, Bulaki, Juna, and Sitamol. Sane earned national recognition after winning the National Film Award for Best Screenplay for Bulaki, establishing himself as a distinct creative voice in contemporary Nepali filmmaking.

Badri Adhikari is a senior Nepali theatre artist and film–television director known for his disciplined craft, social sensitivity, and long‑standing contribution to Nepal’s performing arts. Beginning his creative journey in theatre, he later became widely recognized for directing influential Nepali television serials such as Viral Bagdacha Indrawati, Maun Aakash, Sahayatri, and Koras. These works earned him a reputation for blending emotional realism with strong social themes, portraying the struggles, relationships, and cultural nuances of everyday Nepali life.As a filmmaker, Adhikari is respected for his ability to guide actors toward natural, grounded performances and for maintaining a thoughtful, character‑driven visual style. His career reflects a deep commitment to storytelling rooted in community, culture, and human experience. Beyond his own achievements, he is also known as the father of acclaimed Nepali actress Keki Adhikari, whose artistic discipline and sensibility are often attributed to his influence

Nabin Subba is a veteran Nepali film director, screenwriter, and producer known for pioneering independent Nepali cinema with acclaimed works like Khangri, Numafung, Goodbye Kathmandu, and A Road to a Village, celebrated for his storytelling on indigenous communities and social issues.

Shivam Adhikari is a prominent Nepali screenwriter, director, and dialogue writer active in the film industry since the early 2000s. Credited across more than 60 films as story, screenplay, and dialogue writer—and at times as director, lyricist, and cast member—he has worked on titles such as Meri Aama (2004), Swabhiman (2010), Sanglo (2019), Kopila (2020), and the recent Pariwartan (2026). His writing has earned multiple major award nominations, including for Panchayat and Parai, establishing him as one of contemporary Nepali cinema’s key narrative architects.