Shiva Regmi

Badri Adhikari is a senior Nepali theatre artist and film–television director known for his disciplined craft, social sensitivity, and long‑standing contribution to Nepal’s performing arts. Beginning his creative journey in theatre, he later became widely recognized for directing influential Nepali television serials such as Viral Bagdacha Indrawati, Maun Aakash, Sahayatri, and Koras. These works earned him a reputation for blending emotional realism with strong social themes, portraying the struggles, relationships, and cultural nuances of everyday Nepali life.As a filmmaker, Adhikari is respected for his ability to guide actors toward natural, grounded performances and for maintaining a thoughtful, character‑driven visual style. His career reflects a deep commitment to storytelling rooted in community, culture, and human experience. Beyond his own achievements, he is also known as the father of acclaimed Nepali actress Keki Adhikari, whose artistic discipline and sensibility are often attributed to his influence

Gyanendra Bahadur Deuja is one of Nepal’s most influential film directors, screenwriters, and visual innovators, celebrated for introducing new cinematic techniques and for directing some of the most culturally significant films in Nepali cinema. Active since 1997, he is known for blending social issues, emotional storytelling, and technical experimentation in his films.Before entering cinema, Deuja served as a Deputy Director at Nepal Rastra Bank, balancing a parallel career in banking and filmmaking—an uncommon achievement in the industry. His artistic foundation began at Aarohan Theatre (now Gurukul), where he trained alongside respected Nepali actors and directors.His mentor, senior director Resh Raj Acharya, guided him through early work as chief assistant director in major tele-serials and films such as Sparsh, Dushman, Aama, Bandhan, and Tuhuro.

Ganesh Dev Pandey is a Nepali film director, writer, and screenwriter known for his socially rooted storytelling and his contribution to modern independent Nepali cinema. He made his directorial debut with Malati Ko Bhatti (2012), followed by the romantic drama Manjari (2013), both of which helped establish his reputation as a filmmaker with a distinct narrative voice.He gained wider recognition with Gaja Baja (2018), Nepal’s first stoner‑comedy, which sparked national debate after the Film Development Board initially refused registration due to its title. Pandey challenged the decision in the Supreme Court and won after a two‑year legal battle, marking a landmark moment for freedom of expression in Nepali cinema.His later works include Julebi (2023), a multi‑narrative urban romance praised for its authentic portrayal of modern relationships. He has also written and produced Chini Kam Rang Kada (2020), further showcasing his versatility.

Shreeram Mahat is a movie director, film/video editor & Business Person. Her first film is 'ma ta timrai hoon'. It was from this film that he brought Aakash Shrestha and Jyotshana Yogi into the film. He has produced and directed a number of music videos and documentaries.