Shiva Regmi

Laxman Sunar is a Nepali film director, scriptwriter, and editor known for his grounded visual style and commitment to character‑centered storytelling. Active across feature films, short films, and narrative projects, he brings a disciplined approach to structure, performance, and emotional realism. As the Founder of Kasturi Production Pvt. Ltd., Sunar has developed a creative space focused on socially rooted stories and technically polished filmmaking. His work reflects a blend of rural authenticity, psychological depth, and clean visual framing, positioning him among the thoughtful voices shaping contemporary Nepali cinema.

Nabin Subba is a veteran Nepali film director, screenwriter, and producer known for pioneering independent Nepali cinema with acclaimed works like Khangri, Numafung, Goodbye Kathmandu, and A Road to a Village, celebrated for his storytelling on indigenous communities and social issues.

Ashok Sharma is a veteran figure in Nepali cinema, known for his versatile contributions as an actor, director, producer, and screenwriter. Active since the late 1980s, he became one of the most commercially successful filmmakers of the 1990s and 2000s, shaping mainstream Nepali entertainment with family‑drama and social‑comedy hits. Sharma directed and produced popular films such as Dui Thopa Aansu, Allare, Dal Bhaat Tarkari, Mitini, and Jai Bhole, earning a reputation for clean storytelling, strong ensemble casting, and audience‑friendly humor. His work continues to influence new‑generation filmmakers, making him a respected pillar of the Nepali film industry.  

Dev Kumar Shrestha is a Nepali film director, producer, and choreographer active since the mid‑1990s, known for directing a diverse range of Nepali feature films including Godhuli, Ekata, Badmas, Luv Sab, Lalteen, Happy New Year, Nepte, The Karma, and Bakamfushe Maya. Beginning his career as a chief assistant director in the 1990s, he transitioned into full directorial work with Godhuli (2003) and steadily built a portfolio that spans commercial entertainers, social dramas, and modern romantic films. His multi‑role involvement—direction, story, screenplay, choreography, and production—positions him as one of the versatile contributors to contemporary Nepali cinema.