Sundar Kumar Maharjan

Ganga Thapa is a Nepali composer, producer, ethnomusicologist, and multi‑instrumentalist known for his research‑driven approach to music and his fusion of traditional Nepali sounds with contemporary arrangements. His work spans field documentation, studio production, and multi‑instrumental performance, making him a key figure in the preservation and modern reinterpretation of Nepali musical heritage.

The remarkable Nepalese guitarist, arranger Dinesh Shrestha, was born on 25th January 1978 A.D. in Putalisadak, Kathmandu, Nepal to father Kashi Bahadur Shrestha and mother Ram Kumari Shrestha. Dinesh Shrestha was an accomplished guitarist, and was best known there for his rock/blues playing and one of the founder members of “The Buds Band”. Dinesh Shrestha was taught initially by his guru Phiroj Shyangden (guitarist and founder member of 1974 A D Band) on ‘Do Re Mi Music Institute’ in Kathmandu, but it soon became apparent that the boy was a gifted guitarist. Dinesh Shrestha was appeared and performed at “Shikhar Beat Contest” for the first time at Katmandu about 1994 A.D. and making enough of an impression that the famous guitarist. His band also participated in other competition like “Tuborg Music Festival’99”whne they got the first position as “The Band Of the Year” and after they participated on other programs like “Mahashivaratri Music Festival’99”,”Kathmandu Utsav’99”, “Beat Competition’98” and more than fifty programs and concerts. He made his official debut from famous Nepalese band “The Buds” from 1994 A.D. as a lead guitarist including other band members Sudip Singh (Rhythm), Bijaya Karki (Bass/Vocal), Dipesh Shrestha (Drummer/Vocal), Sushil Shrestha (Rhythm), and received reviews that noted a strong, clean tone and a polished though undemonstrative technique. The first album titled “Birsana Sakdina” including nine songs titled “Birsana Sakdina”, ‘Bihani Ko Mirmirema” etc and Second album “Buds 2” which was popular amongst Nepalese people. He had performed by the early 1990's within the various parts of country and has since performed with outstanding success playing both solo and with Band and regularly on radio and television. Now with business and academic reasons he is separated with his band members and no new project will be plan for till now.

Navaraj Gurung is a highly acclaimed Tabla player based in Kathmandu, Nepal. Let me share some interesting details about him: YouTube Channel: Navaraj Gurung has a YouTube channel where he showcases his tabla performances. One of his notable covers is “Ham Tan” by Ali Ghamsari, where he adds his unique aspect of tabla accompaniment to the melodic structure. Rhythm and Joy: Navaraj Gurung’s extempore tabla performance was shot at the magical Kirateshwor Sangeet Temple in Pashupati. The video captures the spontaneous nature of tabla playing. Albums and Compositions: Over the past three decades, Navaraj Gurung has been actively involved in playing tabla and composing music. He has released 25 albums, spanning genres from Eastern classical music to fusion tracks and tabla solos. His debut album, “Moment,” was launched in 2000. Navaraj Gurung’s contribution to Nepali music is significant, and his mastery of the tabla continues to inspire music enthusiasts worldwide! 🎶🥁

Ganesh Pariyar (1945 – 18 January 2021) was Nepal’s first music arranger, a pioneering composer, singer, and multi‑instrumentalist whose work laid the foundation of modern Nepali studio music. Beginning as a contractual instrumentalist at Radio Nepal in 2019 BS, he became a permanent musician in 2024 BS, introducing structured music arrangement to Nepali broadcasting for the first time.Before entering full‑time music, Pariyar served in the Nepal Army, rising to the rank of Havildar before resigning to pursue music professionally. A skilled violinist, saxophonist, guitarist, and folk instrumentalist, he played a central role in shaping the orchestral sound of early Nepali recordings.Across more than two decades at Radio Nepal, he contributed as an arranger, composer, vocalist, instrumentalist, and collector of lyrics and melodies. His disciplined musicianship and technical mastery helped elevate the quality of Nepali studio productions during a formative era.In 2050 BS, he joined Music Nepal as a Music Director and Arranger, influencing commercial music production and supporting countless singers and composers. His legacy remains foundational in the evolution of Nepali music arrangement.