Sujan Chapagain

Rajiv Lohani is a Nepali singer and music director known for his contributions to Nepali pop music. He has released several popular songs, including: Tara Joona – A well-known pop song released in 2016. Baleko Aago Jaleko Prem – A hit song with millions of views. Lapsi Fedima – A recent collaboration with Asmita Adhikari. Phool Rojda – Another popular track. Lohani has been active in the Nepali music industry, creating songs that blend modern and traditional elements.

Amrita Uprety is a gifted Nepali flautist and classical musician, known for her soulful performances and dedication to the bansuri (Indian bamboo flute). Originally from Nepal, she has been a residential disciple at Vrindaban Gurukul, the prestigious music school founded by Pt. Hariprasad Chaurasia, for over 15 years. Her training under the legendary maestro has shaped her into one of the most promising female flautists in the Indian classical tradition. Amrita has performed at major cultural events such as the RFPA Holi Festival 2022, and has received accolades including the Girnar Festival Award and the Female Flautist Award from the Sundari Wadan Festival. Her music blends technical precision with emotional depth, captivating audiences across India and Nepal. She continues to represent Nepali talent on international stages, inspiring young musicians—especially women—to pursue classical music with passion and discipline.

Santosh Bhakta Shrestha is a renowned Nepali esraj player, freelance musician, and respected music teacher celebrated for his mastery of this rare bowed string instrument. With decades of dedication to classical and devotional music, he has become a leading figure in preserving and promoting the esraj tradition in Nepal. His performances—such as the soulful rendition of “Jaha Chhan Buddhaka Aankha”—are marked by emotional depth and technical brilliance. Santosh Bhakta has collaborated with prominent artists and institutions, including SAC Music International and Dhrupad Gurukul Kathmandu, where he has performed ragas like JogKauns in intimate classical gatherings. His style is known for its fluid bowing, vocal-like phrasing, and meditative resonance, making him a sought-after performer and mentor. As a freelance teacher, he continues to inspire the next generation of musicians, ensuring that the esraj remains a living, breathing part of Nepal’s musical heritage.