Sudip Baral

Deepak Bajracharya is a Nepali cinematographer whose career spans more than two decades, recognized for shaping the visual language of modern Nepali cinema through his work on critically acclaimed films such as Jhola, Woda Number 6, Bhor, Lamphoo, Paani Photo, and Mahapurush. Active since the early 2000s, he has contributed to over 25 films, consistently delivering grounded, character‑driven cinematography marked by natural lighting, cultural texture, and strong narrative alignment. His filmography includes major commercial releases as well as award‑winning social dramas, establishing him as one of Nepal’s most reliable and respected cinematographers.

Avesh Bajracharya Cinematographer, camera person Avesh Bajracharya is a talented Nepali cinematographer and camera person. He began his career at News 24 and is currently working with AP1 Television. Avesh has worked on more than a dozen music videos and several commercial advertisements. He is also part of the camera crew for popular shows like "Nepal Idol" and "Comedy Champion". His work showcases his creativity and technical skills, making him a notable figure in the Nepali entertainment industry. 🎥

Roshan K Shrestha is a professional cinematographer from Nepal. He spent many years as a main cameraman in television. He is also known for dozens of successful music videos and commercials. Experienced cinematographer with a demonstrated history working in the media production industry. Final Cut Pro specializes in video, camera, film, and documentaries. A strong media and communication professional who graduated from Balkumari.

Krishna Shrestha is a Nepali cinematographer active since 2002, known for his versatile work across commercial, romantic, and action‑drama films in Kollywood. His career spans more than two decades, with credits in major productions such as Kranti (2002), Bhuttukai Bhaye Ni (2002), Pyari Bahini (2004), Kanoon (2007), Dhoom (2009), Dosti (2009), Man Manai Man Paraye (2011), Bodyguard (2012), Jodi No.1 (2014), Bhram (2015), Luv Sab (2015), Sakas (2017), Boyfriend (2018), and Eklavya (2019). His work is recognized for clean framing, commercial visual appeal, and consistent collaboration with mid‑2000s and 2010s Nepali film directors.