Sita Devi Timilsina

Bijayratna Tuladhar is a Nepali film director, chief assistant director, and respected film‑based journalist whose career spans more than three decades across cinema, media, and cultural documentation. Active since the early 1990s, he is known for his disciplined on‑set leadership, his contributions to classic Nepali films, and his award‑winning work in film journalism.He entered the Nepali film industry as a Chief Assistant Director, contributing to notable films such as Priyasi (1993), Rajamati (1996), and Pachhyauri (1997)—projects that helped shape the visual and narrative style of 1990s Nepali cinema. His early work established him as a reliable creative collaborator with strong command over production, continuity, and actor‑director coordination.Transitioning into direction, Tuladhar helmed Bir Ganeshman (2003) and Man Ko Tukra (2004), both of which reflected his interest in socially rooted storytelling and character‑driven drama. His directorial work is marked by clarity, cultural grounding, and a commitment to authentic Nepali narratives.Parallel to filmmaking, Bijayratna Tuladhar built a respected identity as a film‑based journalist, writing analytical pieces, industry reports, and cultural commentary that contributed to the documentation and critique of Nepali cinema. His journalism earned him major national honors, including the NFDC National Film Award (2071) – Best Journalism Award and the D‑cine Award (2066) – Film Journalism Prize, recognizing his influence beyond the screen.With a career that bridges filmmaking and journalism, Tuladhar stands as one of the few Nepali creatives who have contributed to cinema both from within the production floor and from the lens of critical media. His work continues to represent dedication, discipline, and long‑term service to Nepali film culture.

Thinley Lhamo (born circa 1997) is a Nepali-Tibetan actress best known for her powerful role as Pema in Shambhala (2024), Nepal’s Oscar entry and Berlinale selection. She previously starred in Naakaa (2017) and Hari (2018). Her performance in Shambhala earned her the Boccalino d’Oro Prize for Best Acting Performance at the 77th Locarno Film Festival. Lhamo’s journey began with the Nepal Tibet Opera Association, where she honed her stage presence. She trained under Anup Baral before landing the lead in Shambhala, a film shot in Dolpo’s rugged terrain

Subarna Thapa is a Nepali film and theatre artist, internationally recognized for his work as a director, actor, and writer. Based in France since 1999, he works across cinema and theatre, shaping stories that blend Nepali identity with global artistic sensibilities. His creative foundation comes from theatre, which continues to influence the emotional depth and realism of his films.Thapa made his feature‑film debut as a director with Soongava: Dance of the Orchids (2012), Nepal’s first mainstream LGBTQ+‑themed film, which earned international acclaim and festival screenings. He went on to direct notable films including Fanko (2016), Fils (2014), Bato Muniko Phool 2 (2016), and the critically praised The Secrets of Radha (2022).As an actor, he has appeared in films such as Soongava (2012), Goodbye Kathmandu (2017), The Puppet (2021), and several short films, showcasing his versatility across dramatic and character‑driven roles.Thapa is also active in theatre arts, conducting workshops, mentoring young filmmakers, and collaborating on stage‑based storytelling projects. His long‑term association with the British Council’s “Script to Screen” initiative highlights his commitment to nurturing new Nepali voices in cinema.Today, Subarna Thapa stands as one of Nepal’s most respected cross‑disciplinary artists, bridging film, theatre, and international cinema with a distinct narrative voice.

Raj Pangeni Sharma is a Nepali film and television actor whose work spans independent cinema and contemporary series‑style storytelling. He is best known internationally for his performances in the feature film Basenji (2023), the short film Mango Pickle (2020), and the TV mini‑series Sano Sansar – Stories of Middle Class (2023/2024), where he portrays nuanced, everyday characters with emotional restraint and realism.