Shraddha Chhetri

Greetings to my beautiful souls. Commercial Ambassador Of House Of Fashion Nepal En Vogue season 7. Artist Content creator Currently modeling at palki clothing store.

Reshma Ghimire is a multi professional girl with patient curing capabilities as a nurse as well as well-renowned actress, model of a Nepali Film Industry. She is a famous TikTok star and first verified user among the many TikTok users from Nepal. Although being a nurse by profession she, Reshma started shooting her video on video sharing app TikTok and earned million of fans. This is why she believes ‘profession never obstructs the inner desire’. This is her great achievement gained so far. She is a great fan of Actor Pradip Khadka and Dayahang Rai. Likewise She follows Tiger Shroff in Bollywood.

Shrisha Karki (1978–13 October 2002) was a Nepali actress and model whose brief but impactful career left a lasting imprint on Nepali cinema. Active from 1997 to 2002, she appeared in nearly twenty films, including Yo Mayale Launa Satayo (1997), Allare (1997), Aafno Birano (1998), Zameen (1998), Anshabanda (1998), Gham Chhaya (1998), Maya Baiguni (2000), Aawara (2000), Beimani (2001), Maya Garchhu Ma (2001), Kaidi (2001), Dharti (2001), Malati (2001), Aatankabadi (2002), and the posthumous releases Sukha Dukha (2002) and Bacha Bandhan (2004). Known for her expressive presence and natural screen appeal, she represented the emerging generation of late‑1990s Nepali actresses transitioning into more contemporary, youth‑focused storytelling. Her career was cut short when she died by suicide on 13 October 2002 in Kathmandu, an event that triggered nationwide outrage and became one of the most defining media‑ethics crises in Nepali film history. Her death followed the publication of a nude photograph in the tabloid Jana Aastha, which sparked widespread protests by actors, directors, and the public, who condemned the incident as an example of yellow journalism and demanded accountability. Major outlets including the BBC reported on the case, documenting her family’s claims of blackmail and the film industry’s collective call for justice. The controversy ignited long‑term debates about press responsibility, exploitation, and the vulnerability of women in the entertainment sector. Despite the sensationalism surrounding her final days, Shrisha Karki is remembered within Nepali cinema as a talented young actress whose potential was never fully realized. Her filmography continues to be referenced as part of the transitional era of Nepali filmmaking, and her story remains a pivotal reminder of the need for ethical media practices and the protection of artists’ dignity.

Panchami Ghimirey is a Nepali actress who appears in the feature film Pahaad (2026), building on her early experience as both a child artist and a voice performer in her father Tulsi Ghimirey’s projects. She began her creative journey by contributing child‑voice roles and on‑screen performances in earlier productions, developing a natural sense of expression, timing, and emotional delivery from a young age. Panchami’s transition into mature acting reflects her steady growth within a filmmaking environment shaped by one of Nepal’s most respected directors. Known for her grounded presence and clear dialogue delivery, she represents the new generation of Ghimirey family talent entering Nepali cinema with authenticity, discipline, and a strong artistic foundation.