Shailendra D. Karki

Narendra Mainali is a celebrated Nepali cinematographer known for his evocative visual storytelling and contributions to both mainstream and independent cinema. With a background in computer engineering, he transitioned into filmmaking through a deep passion for photography and motion pictures. Education & Training Mainali holds a Bachelor's degree in Motion Picture Photography from Oscar College of Film Studies, Tribhuvan University. He further honed his craft through international programs, including: Asian Film Academy (Busan International Film Festival, 2012) Berlinale Talents (Berlin Film Festival, 2013) VIEWFINDER: Masters in Cinematography (Erasmus+ program in Ireland, Hungary, and Estonia) He also studied at the Danish School of Media and Journalism and received mentorship from cinematic legends like Wong Kar Wai and Matthew Libatique (cinematographer of Black Swan). Career Highlights Mainali’s debut short film Bansulli (The Flute) was selected for the Venice International Film Festival, while The Contagious Apparitions of Dambarey Dendrite premiered at the Abu Dhabi Film Festival. His work spans over 18 films, including shorts and features, many of which have screened at prestigious festivals in Venice, Busan, Locarno, and Palm Springs.

Amrit Sunuwar is a talented Nepali cinematographer and music video director. He has worked on numerous music videos and advertisements, showcasing his skills and creativity. Amrit is currently a senior camera person at AP1 Television. Career Highlights Music Videos: Amrit has directed and worked on various music videos, including "Rella - MT. 8848" and "Bhijyo Mero Rato Pacchyauri Chhadi Diyo" by Bibek Maharjan. Advertisements: He has also directed commercials, such as the Reliable Nepal Life Insurance TVC. Personal Life Amrit Sunuwar continues to make significant contributions to the Nepali entertainment industry with his dedication and talent. 🌟

Shambhu Sapkota is a Nepali cinematographer from Panauti, active in Nepali cinema since 1994, known for his extensive body of work across commercial and dramatic films. He has shot more than 50 feature films, contributing to the visual style of late‑1990s and 2000s Kollywood. His early credit includes Sadak (1994), and he continued through major titles such as Thuldai (1999), A Mero Hajur (2002), Kismat (2007), Ma Timi Bina Marihalchu (2008), and Rhythm (2013). His career reflects consistency, technical reliability, and long‑term collaboration with leading directors of the era.

Pantu Naga is a Nepali cinematographer from 1980 to 1990 known for his basic visual style, natural lighting, and clear narrative framing. Active in feature films and regional productions, he brings emotional depth and visual discipline to his work.