Sarita Giri

Anshu Maharjan is a Nepali film and television actress who began her career in the mid‑2000s, appearing in popular comedy serials such as Maha Chautari, other comedy shows, music videos, TV commercials, and the hit series Meri Bassai, where she performed alongside Jitu Nepal’s character “Mundreko Sauteni Aama.” Her early work in these widely loved programs established her as a natural performer with strong comedic timing and expressive acting.After building a solid foundation in television, she transitioned into films, appearing in projects such as Jatrai Jatra, Ganapati, Bar and Badhu, and Chameliko Poi. Her ability to shift effortlessly between comedy, drama, and character roles has made her a familiar and respected presence in both TV and cinema.

Starting from his early life in Biratnagar, Prakash Pathak was born in 2001 B.S. (1944 AD) and later became a familiar face in Nepali cinema. He entered the Nepali film industry in the early 2040s B.S. (1980s AD), gradually establishing himself through steady, heartfelt performances in social and family‑oriented films.Over the course of nearly three decades, Pathak contributed to a wide range of Nepali feature films and telefilms. He appeared in several well‑known titles, including Mayalu, Tilahari, Gopikrishna, Tuhuro, and Bandhan, along with numerous other productions across the 1980s, 1990s, and early 2000s.Prakash Pathak was known for portraying grounded, relatable characters — often fathers, uncles, community figures, or emotionally layered supporting roles. His natural acting style, calm presence, and ability to reflect everyday Nepali life made him a respected contributor to the golden and transitional eras of Nepali cinema.

Doma Lama Hyalmo is a Nepali film artist and singer active since the early 1990s, known for her expressive screen presence and her warm, melodic vocal style. Beginning her artistic journey in the 1990s era of Nepali cinema, she has contributed through character‑driven performances while also recording songs that reflect both her Hyolmo cultural roots and contemporary musical sensibilities. Her dual work in film and music highlights a versatile creative identity, making her a steady and respected presence in Nepal’s entertainment field.

Chaturbhuj Aashavadi was a prominent Nepali cultural figure known as a cultural activist, dancer, director, and Maithili playwright. His work spanned multiple disciplines including music, dance-drama, acting, direction, and cultural research, making him a key contributor to Nepal’s performing arts scene.He was the founding अध्यक्ष (Chairperson) of Bhanu Kala Kendra, an institution dedicated to the promotion of arts and culture. Aashavadi was deeply passionate about discovering new talent and providing training to emerging artists. He devoted much of his life to mentoring aspiring performers, often supporting underprivileged talents by bringing them into his own home and nurturing their artistic growth.His active involvement in the cultural sector began after he participated in the 2014 B.S. language movement led by Mahakavi Laxmi Prasad Devkota. Inspired by this movement, he went on to play a pioneering role in initiating street-based cultural programs in Nepal, using performance as a powerful medium for public awareness and social expression.Throughout his career, Aashavadi acted in and directed a wide range of notable plays in both Nepali and Maithili languages. His major works include Prithak-Prithak Golardha, Vidyarthi, Raksi, Chhippiyeko Dukhai (Nepali), Jwailkanakani (Maithili), Pus Jaad ki Magh Jaad (Maithili), Aago Dankirheko Chha, Natakbhitrako Natak, Satar Ko Bihe (docudrama), and Shivpuriya Aatank.Chaturbhuj Aashavadi is remembered for his lifelong dedication to cultural development, artistic education, and the promotion of theatre as a tool for social transformation in Nepal.