Jagadish Adhikari

Ranjana Bhattarai is a Nepali theatre artist and film actress active in contemporary Kathmandu theatre and South Asian cinema. On stage, she has worked with groups like Katha Ghera and Kausi Theatre, performing in acclaimed productions such as “Wedding Album” (as bride Bidushi Koirala) and “Play the System” (as Namita), where she portrays complex, modern Nepali women navigating family and workplace pressures.On screen, Bhattarai appears in the Nepali‑language Indian film “Harry Ki Pyari” (2023) in the role of Urmila, and in the TV mini‑series “A Glass of Happiness” (2021), where she is credited both as an actress (Pari) and as part of the costume/wardrobe team (stylist). This dual presence in performance and behind‑the‑scenes work reflects her broader craft as a theatre‑trained artist who understands character, costume, and visual storytelling.

Shardda Silwal is a Nepali dance teacher, actor, and former senior dance director known for her long service at the Cultural Corporation (1992–2023). Over three decades, she trained students across multiple schools, specializing in classical, folk, and contemporary Nepali dance. Her work includes stage choreography, cultural program direction, and mentoring young performers who later entered professional arts. Alongside teaching, she has also contributed as an actor, appearing in cultural productions and performance‑based projects.

Sharmila Sharma is a Nepali actress known for her emotionally grounded roles in films, telefilms, and serials since 2000. She debuted with Hulchul and appeared in Hasideu Ek Phera, Mero Maya Timilai, Shaanti, and Kachuli. Her television work includes popular serials like Bhumari, Hari Bahadur–Madan Bahadur, Tito Satya, and Naari. She also acted in acclaimed films such as Juthe and Ati Bho, and has featured in dozens of music videos and short films. Sharmila is praised for portraying relatable, socially aware characters that resonate with everyday Nepali life, making her a respected figure in both mainstream and alternative visual storytelling.

Starting from his early life in Biratnagar, Prakash Pathak was born in 2001 B.S. (1944 AD) and later became a familiar face in Nepali cinema. He entered the Nepali film industry in the early 2040s B.S. (1980s AD), gradually establishing himself through steady, heartfelt performances in social and family‑oriented films.Over the course of nearly three decades, Pathak contributed to a wide range of Nepali feature films and telefilms. He appeared in several well‑known titles, including Mayalu, Tilahari, Gopikrishna, Tuhuro, and Bandhan, along with numerous other productions across the 1980s, 1990s, and early 2000s.Prakash Pathak was known for portraying grounded, relatable characters — often fathers, uncles, community figures, or emotionally layered supporting roles. His natural acting style, calm presence, and ability to reflect everyday Nepali life made him a respected contributor to the golden and transitional eras of Nepali cinema.