Sara Adhikari

Prakash Dahal is a Nepali film and theatre artist from Bara, born on June 25, known for his naturalistic acting style, stage discipline, and his growing presence in contemporary Nepali cinema through films such as Halkara (2022), Lunga (2023), Feri Resham Filili (2025), and Abhimanyu Chapter 1 (2025).

Sulakshyan Bharati is a Nepali actor, writer, and director known for his work in the Nepali film and theatre industry. He has been involved in various projects, showcasing his talent and versatility. Some of his notable works include the films "Ko Afno" (2015), "Ko Afno Redux" (2021), and "Bato: Road to Death" (2024). Sulakshyan is also known for his involvement in theatre, where he passionately tackles societal issues such as gender equality and Bokshi Pratha through his compelling work on stage.

Avon Raj Upreti is a Nepali actor known for his roles in films such as "Chakkar" (2018), "Eklo I", and "Antim Sanskar: The Last Ritual" (2023). He has received acclaim for his performances and has been recognized internationally, winning the Best Male Actor award at the Queens World Film Festival in New York for his role in "Chakkar"

Bipana Thapa is a talented Nepalese actress, fashion designer, and model. She gained prominence in the Nepali film industry during the '90s. Here are some key points about her: Career: Bipana Thapa was active in the Nepali film industry until she got married in 2008 to Ashutosh Bhardwoj. She appeared in numerous films and left a lasting impact on Nepali cinema. Fashion Designer: In addition to acting, Bipana was also involved in fashion designing. She designed her own costumes for the roles she portrayed in her movies. Her design business, Bipanaz Boutique, was located in Bhatbhateni, Kathmandu. Filmography: Some of Bipana Thapa’s notable films include: “Janma Bhoomi” (1995) “Apsara” (2000) “Aago” (2000) “Tan Ta Sarai Bigris Ni Badri” (2000) “Ke Bho Lau Na Ni” (2001) “Mitini” (2002) “Sahid Gate” (2002) “Bakshis” (as Bipna Thapa, 2002) “Gaazal” (as Gaazal, 2003) “Nagad Narayan” (as Shova Bhauju, 2005)