Sara Adhikari

Swastima Khadka is a Nepalese film actress and a model. She is one of the most popular film actresses and music video models in Nepal. She featured in number of music videos before she debuted from youth college drama film Hostel Returns. The film was a hit at box office. She has since then featured in films like Love Love Love, industry hits Chakka Panja 2 and Chakka Panja 3 and Jai Bhole. The song 'Kutu Ma Kutu' from film Dui Rupaiyaan featuring Khadka and her husband and actor-director Nischal Basnet and film's other actor Asif Shah is the most viewed Nepali song in YouTube. Her first music video Baby Kuchi Kuchi, also known as, Honey Bunny part 2 which was designed by Nischal Basnet.

Sarita Sah is a Nepali theatre artist and actor recognized for her expressive stage presence and her dedication to character‑driven performance. Active in contemporary Nepali theatre, she has contributed to productions that explore social issues, personal identity, and community narratives. Sah’s acting style is rooted in realism, emotional clarity, and disciplined craft, making her a dependable performer in both ensemble and lead roles. Expanding her work into screen acting, she continues to bring the depth and sensitivity of theatre to film and television projects

Sandhya KC is a beautiful Nepali VJ, Model, and actress with thousands of fans and followers on social media. She started her career as a VJ and Debuted in the Nepali movie industry from the movie Dreams. Thousands of youngsters have a crush on her as she has a pretty face and charming personality.

Samapika Gautam is a talented Nepali actress and theatre artist known for her contributions to both stage and screen. She has starred in films such as Basenji (2023), Kokro (2019), Jante Bakhro (2025), and Khel (2025). Beyond her work in film, Samapika is deeply involved in theatre and has been an advocate for using Forum Theatre as a tool for civic engagement in Nepal. She believes in the power of participatory theatre to address social issues and empower communities. Her performances in productions like Guilty or Not Guilty have showcased her versatility and ability to captivate audiences. With a strong presence in Nepal’s theatre scene, she continues to push boundaries and contribute to the growth of performing arts in the country.