Sara Adhikari

Deeya Maskey started the journey of an artist as a dancer. The actor, dancer and currently one of the judges of the popular reality show Himalaya Roadies in her words "practices" all forms of art. From street theatres to mainstream movies, Deeya Maskey has the appearance of a tough perfectionist that subtly hides her humble demeanor. Being involved in the entertainment industry [professionally] for more than a decade with a debut in the film "Kagbeni", Deeya expresses her passion for what she does and says she wants to be a performer as long as she lives.

Princy Khatiwada (born December 27, 1998) is a Nepali model and actress known for her expressive charm and graceful screen presence. She first gained recognition through short-form dance and performance videos, often collaborating with her twin sister, Prisma Khatiwada. Their synchronized performances and vibrant energy quickly captured public attention, making them standout figures in the digital entertainment space. Princy transitioned into music videos, appearing in projects such as Kohinoor, Aabruu, and Aina Heri Bhutukkai Lajaile, where her emotive expressions and natural charisma drew praise. Her growing popularity and on-screen confidence paved the way for her cinematic debut. In 2025, she starred opposite Anmol KC in the romantic drama Batulo Joon, directed by Bhuwan KC. Set in a rural village, the film portrays a poetic love story under moonlit skies, with Princy playing a soft-spoken yet emotionally resonant lead. The film marked a significant milestone in her career, establishing her as a promising new face in Nepali cinema. With a background in airport ground operations and a passion for performance, Princy Khatiwada continues to evolve as an artist, bridging the worlds of digital media and film with authenticity and ambition.

Laxmi Bardewa is an actress, known for Damaru Ko Dandibiyo (2018), Kagaz Patra (2019) and Ghampani (2017).

Rajashree Chettri is a Nepali actress active in the mid‑1980s, known for her graceful screen presence and roles in social and family‑drama films of the period. Her performances reflected the emotional clarity and natural acting style characteristic of the era, contributing to the evolving visual identity of Nepali cinema during the late 1980s. Though her filmography remains limited in public archives, Chettri is remembered for her expressive roles, cultural authenticity, and participation in a formative chapter of Nepali film history