Anu Shah

Supuspa Bhatta is a talented Nepali actress known for her work in both films and television. Here are some highlights from her career: Ranveer (2019): This was Supuspa's debut film, where she played a significant role. Pitaambar: Another notable film in her career. Chapali Height 3 (2021): She has also been part of this upcoming movie. Television Serials: Supuspa has acted in TV serials like "Gahana" and "Abhiyan". In addition to her acting career, Supuspa has also been involved in dancing and other artistic endeavors. She made headlines when she got engaged to Raunak Bikram Kandel, a film producer.

Megha Pokharel (मेघा पोखरेल) is a former Nepali film actress who was active in Nepali cinema during the mid-1990s. She is remembered for her appearances in social and romantic Nepali films and is considered one of the actresses associated with the 1990s generation of Nepali cinema. Although she remained active for a short period, her work in films like Soltini and Sannani helped her gain recognition among audiences of that era.Megha Pokharel appeared in the 1995 Nepali movie Soltini, directed by Arun Kumar Jha. The film featured actors including Lokendra Karki, Ravi Shah, Santosh Panta, Parvati Adhikari, and Chiranjibi Basnet. The movie became one of the notable social-romantic films of its time and introduced Megha Pokharel to mainstream Nepali film audiences.She later appeared in Sannani alongside Saroj Khanal, Hemanta Budhathoki, and Sunil Thapa.Megha Pokharel’s real name is believed to be Bimala Pokharel, while “Megha Pokharel” was used as her screen name during her film career. After the late 1990s, she gradually stayed away from the public film industry, her contribution remains part of the archival history of classic Nepali cinema.

Manju Thapa is a Nepali Model and Beauty pageant title holder and the winner of the planet- Beautician Nepal World 2021 pageant. She has worked extensively in photo shoots, music videos and advertisements.

Rajashree Chettri is a Nepali actress active in the mid‑1980s, known for her graceful screen presence and roles in social and family‑drama films of the period. Her performances reflected the emotional clarity and natural acting style characteristic of the era, contributing to the evolving visual identity of Nepali cinema during the late 1980s. Though her filmography remains limited in public archives, Chettri is remembered for her expressive roles, cultural authenticity, and participation in a formative chapter of Nepali film history