Samarpan Lama

Gambir Bista is a versatile Nepali choreographer, model, and performer known for his dynamic work across films, music videos, and stage productions. Active since 2006, he has contributed choreography to major Nepali films including Loot, Talakjung vs Tulke, Hairaan, Ranveer, and Aa Bata Aama, earning recognition such as the D‑Cine Award for Best Choreographer. His creative range extends to conceptual music videos, production design, and on‑screen performance, establishing him as one of Nepal’s most adaptable and influential dance‑based artists.

Kabiraj Gahatraj is known dance Choreographer for Ma Yesto Geet Gaauchu (2017), Dui Rupaiyan (2017) and Lalteen (2017), preemgeetr (2022), A mero Hajur, kayara, jaya samnbhu, black , lamfu, timi sanga, panche baja etc.

Pavitra Acharya is a Nepali actress, choreographer, and casting director known for her versatile presence across film and music videos. She made her silver‑screen debut with Vijaypath (2012), sharing the frame with Nikhil Upreti, Sushil Kshetri, and Sanchita Luitel. She later appeared opposite Rajesh Hamal in Rajniti and featured in Aaveg alongside Aryan Sigdel. Trained in dance from a young age, Acharya expanded her creative path into choreography, beginning with Komal Oli’s Teej song and later crafting dance sequences for dozens of music videos and films including Commander and Mela. Having worked with leading stars such as Karishma Manandhar, Anoop Bikram Shahi, Aanchal Sharma, Salon Basnet, and others, she now also contributes as a casting director, currently serving as the Central Co‑Treasurer of the Nepal Film Artists Association and working on the film Kashyap.  

Basanta Shrestha is one of Nepal’s most prolific and influential choreographers, active from the early 1980s to the present, with a career spanning more than 150 films. Known for blending classical Nepali movement with modern cinematic rhythm, he helped define the visual language of Nepali song sequences across multiple eras of filmmaking. His choreography is recognized for precision, expressive storytelling, and the ability to elevate both folk and contemporary compositions. His collaborations with leading actors, directors, and filmmakers reflect his central role in shaping Nepali film dance.