Bhuvan Das Shrestha

mamata Adhikari is a renowned dancer as well as yoga therapist/teacher. She is a winner of national dance show surtal season-2. She have shared her experience in some Nepali music vedios. She have participated in miss tourism worldwide nepal 2019 and was among top 3 finalist and won the tittle of miss photogenic and miss talanted.

Yumi Balami is a Nepali dance choreographer and performer known for her contemporary‑fusion style, clean technique, and active presence in stage shows, music videos, and youth‑focused dance platforms. Emerging from Kathmandu’s modern dance scene, she has built a reputation for expressive choreography, strong musicality, and polished on‑camera performance.Balami has contributed to multiple commercial productions, live events, and artist collaborations, becoming one of the recognizable young choreographers shaping Nepal’s evolving dance landscape. Her work blends modern, hip‑hop, and Nepali cultural movement, making her a sought‑after instructor and creative collaborator among new‑generation performers.

Roshan Shrestha is a Nepali dance choreographer, actor, and producer with a diverse career spanning multiple roles in the entertainment industry. He was born on December 22, 1978, and has contributed significantly to both Nepali and Bhojpuri cinema. Career Highlights Dance Choreographer for the Bhojpuri movie Kabh Aaihan Sajan Pardesiya. Executive Member at Film Artist Association Nepal. Executive Member at Film Dance Choreographer Association, Nepal (2072). Producer of the Nepali movie Damdaar. Dance Director of the movie Hamro Saano Ghar Hola (2001). Owner of Tree House Resort. Roshan Shrestha has played a vital role in shaping the dance and film industry in Nepal, contributing as a performer, director, and mentor. His involvement in various competitions and associations highlights his dedication to the arts.

Renasha Bantawa Rai is a multi-talented creative Artist in Nepal, celebrated for her work as both a film director and a dance choreographer. She is most prominently known for her contributions to films such as Mero Euta Saathi Cha (2009), Visa Girl (2012), and Prem Geet (2016). These projects exemplify her unique ability to weave traditional Nepali dance motifs with modern cinematic storytelling, offering audiences a vivid, emotionally resonant experience that bridges cultural heritage with contemporary trends . Her choreographic style is characterized by a fluid blend of the classical and the modern. By integrating traditional rhythms, movements, and cultural narratives into her work, Renasha has played an influential role in reshaping the aesthetic language of Nepali cinema. This synthesis not only preserves time-honored artistic traditions but also presents them in a manner that appeals to newer generations, reflecting both innovation and reverence for cultural roots. Her creative contributions have set a new benchmark in how dance sequences enhance the narrative dynamism of a film . Renasha’s work continues to inspire emerging talents in the Nepali film industry. Her ability to act as both a storyteller and a cultural ambassador through dance has cemented her reputation as a vital contributor to modern Nepali cinema. For those interested in the evolution of dance in South Asian films or the broader intersection of tradition and modernity in art, her career offers a fascinating case study of creative perseverance and innovation.