Pradip Shrestha

Junu BK is a permanent resident of Dhanakuta, stay in Kathmandu. Due to her passion for dance, she started dancing at an early age while studying in Kathmandu. Having learned dance from AASTHA KALA KENDRA, she is passionate about dance in all genres including culture, hip hop, classical, modern. Currently she works as a dance teacher in some schools and cultures" she was  Dance Instructor and choreographer at love of dance academy..

Gambir Bista is a versatile Nepali choreographer, model, and performer known for his dynamic work across films, music videos, and stage productions. Active since 2006, he has contributed choreography to major Nepali films including Loot, Talakjung vs Tulke, Hairaan, Ranveer, and Aa Bata Aama, earning recognition such as the D‑Cine Award for Best Choreographer. His creative range extends to conceptual music videos, production design, and on‑screen performance, establishing him as one of Nepal’s most adaptable and influential dance‑based artists.

Jeevan Thapa is the founder and CEO of Multi Matte (P.) Ltd, the first and only Red Authorized rental house in Nepal. Multi Matte provides comprehensive rental services in the field of Camera Rental, Complete Light & Grips Rental, and Complete Post Production facilities such as Color Grading, Video Editing, Visual Effects, Audio Dubbing, and 5.1 Mixing and Mastering. They cater to various production needs, including Feature Films, TV Commercials, Music Videos, TV Programs, Documentaries, Corporate Films, and Events Production. Beyond equipment rentals, Multi Matte offers end-to-end solutions and support from equipment to post-production. Jeevan Thapa’s extensive experience in motion pictures, television commercials, and print advertising ensures that Multi Matte delivers quality services to its clients.

Bhairav Bahadur Thapa (born 18 February 1933 AD / 1989 Falgun 6 BS, Kamalpokhari, Kathmandu) was a pioneering Nepali dancer, choreographer, and scholar widely regarded as one of the earliest architects of Nepali folk‑dance staging. His creative works began appearing from 2007 BS (1950/51 AD), and he formally entered the field of dance direction around 2010 BS (1953/54 AD) through the Bhairav Nritya Dal, established under the initiative of playwright Balkrishna Sama. This marked the beginning of his influential artistic journey.Thapa revitalized Nepali folk and cultural dance by presenting it on national and international stages, giving the genre a new identity and professional structure. He authored several foundational texts, including Nepali Nritya ra Sharirik Praveshika Parts 1–3 (2022 BS / 1965 AD), Dhoka (2030 BS / 1973 AD), Hiddahiddai Baneka Tasbirharu (2065 BS / 2008 AD), Samarpan (2067 BS / 2010 AD), and Himal Natya Mimansa (2072 BS / 2015 AD), which remain important references in Nepali dance studies.Honored with recognitions such as the Jagdamba Shree Samman and Bhim Darshan Roka Memorial Award, Thapa’s contributions shaped the academic, cultural, and performative landscape of Nepali dance.He passed away after a lifetime dedicated to dance, leaving behind a legacy that continues to guide Nepal’s choreographic and cultural scholarship.