Rear Rai

Sushila Rayamajhi was a respected Nepali film artist known for her natural, emotionally grounded performances and her versatile contributions to cinema. Beginning her career through radio plays, she later worked at Rastriya Naachghar before transitioning fully into films, where she appeared in more than 50 movies. She gained recognition with her lead role in Chot and went on to act in acclaimed films such as Prem Pinda, A Mero Hajur, Kaha Bhetiyela, Pahuna, Nata Ragat Ko, and Yug Dekhi Yug Samma. She also produced and co‑produced films like Dhan Sampati and Pinjada, showcasing her creative range. Rayamajhi passed away on 26 January 2012 after battling uterine cancer, leaving behind a meaningful legacy in Nepali cinema.  

Ishwori Pradhan is a Nepali film artist, singer, and executive producer known for her roles in classic Nepali cinema and her contributions to playback singing during the 1989–2001 era. Active across acting, music, and production, she appeared in notable films such as Behuli (1989), Sampati (1991), Sworga (1994), Saraswati (1995), Sorah Barshe Jowan (2000), and Nepal Pyaro Chha (2001). As a playback singer, she contributed to Sworga (1994) and Soon Chandi (1996), and served as executive producer for Behuli (1989). Recognized for her versatile artistic presence and collaborations with leading Nepali actors and filmmakers, Ishwori Pradhan remains an important figure in the evolution of Nepali cinema’s 90s–2000s era.

Rajendra Khadki is a noted Nepali actor and action director recognized for his influential contribution to commercial action cinema from the 1990s onward. Known for his disciplined stunt craft and energetic screen presence, he helped define the action style of his era through collaborations with leading stars and directors. Khadki worked both in front of the camera and behind it, choreographing memorable fight sequences that shaped mainstream Nepali filmmaking. His long career reflects dedication to physical storytelling, technical precision, and the evolution of action choreography, establishing him as a respected figure in Nepali film history.