Ram Keshar Bogati

Mukunda Shrestha is a veteran Nepali film actor recognized for his powerful presence in action, antagonist, and character roles across more than four decades of cinema. Emerging during the formative years of modern Nepali filmmaking, he built a reputation for intensity, discipline, and memorable screen performances. His work spans notable films such as Kohinoor, Basain, Muskan, and several mainstream action features that defined their era. After stepping away from the industry for nearly a decade, he returned with renewed energy in Laaj Sharanam, reaffirming his commitment to Nepali cinema and his enduring connection with audiences.

Rama Thapaliya is a veteran Nepali film actress active since 1996, known for her strong presence in character roles across more than 30 feature films. Her career spans classic, modern, and contemporary Nepali cinema, with notable performances in Mukundo (1999), Kasle Choryo Mero Man (2010), Chha Maya Chhapakkai (2019), Dimag Kharab (2023), and Boksi Ko Ghar (2024). She is widely recognized for portraying motherly, emotional, and socially grounded characters, making her one of the most consistent supporting actresses in Nepali film history.

Shekhar Chapagain is a Nepali film artist recognized for his naturalistic acting style and his steady presence across contemporary Nepali cinema. He first gained attention through his supporting roles in critically noted films such as Soongava: Dance of the Orchids (2012), where he appeared as an inspector, and Maun (2013), portraying Barsha’s father.His recent work includes a featured role in Degree Maila M.A 3rd Class (2024), directed by Ram Babu Gurung, further establishing him among the reliable character actors of his generation. Chapagain has also appeared in short films like Late Night (2023) and the social short Pralobhan, expanding his range across digital and independent storytelling.

Starting from his early years in Nepali commercial cinema, Ravi Shah established himself as a dependable character actor known for his calm screen presence, expressive delivery, and versatility across drama, family, and social‑themed films. Active since 1985, he has contributed to more than 50 Nepali feature films, often portraying father figures, community elders, and emotionally grounded supporting roles.Shah’s career spans the golden era of 1990s Nepali cinema through the transitional 2000s, with memorable performances in films such as Kanyadaan (1991), Maya Preeti (1989), Pachhis Basanta (1989), Badal Paree (2001), Manmandir (2002), Pahuna (2003), Aankha Lobhi Man Papi (2003), and Godhuli (2003). His long filmography reflects steady, respected participation in mainstream Nepali filmmaking, and he is also credited as a legal advisor in the industry.