Raju Adhikari

Samten Bhutia is a Nepali filmmaker, screenwriter, and theatre‑trained storyteller known for his visually grounded, character‑driven approach to cinema. Emerging from the eastern Himalayan creative community, he has directed and written several Nepali and regional films, often blending realism with emotional, socially rooted narratives. Bhutia’s work reflects a strong command of performance direction and atmospheric visual tone, making him a distinctive voice among contemporary Nepali directors.

Ashok Sharma is a veteran figure in Nepali cinema, known for his versatile contributions as an actor, director, producer, and screenwriter. Active since the late 1980s, he became one of the most commercially successful filmmakers of the 1990s and 2000s, shaping mainstream Nepali entertainment with family‑drama and social‑comedy hits. Sharma directed and produced popular films such as Dui Thopa Aansu, Allare, Dal Bhaat Tarkari, Mitini, and Jai Bhole, earning a reputation for clean storytelling, strong ensemble casting, and audience‑friendly humor. His work continues to influence new‑generation filmmakers, making him a respected pillar of the Nepali film industry.  

Barun Kawasi is the director of Jhoda (1987), known for his grounded storytelling and realistic portrayal of rural Nepali life. His direction emphasizes emotional authenticity, social themes, and character‑driven narratives, making Jhoda a notable film of the 1980s Nepali cinema era.

Yadav Kharel (born 23 February 1943 in Kavrepalanchowk) is a veteran Nepali film director, writer, lyricist, and producer, widely regarded as one of the most influential creative figures in Nepali cinema. He was among the first Nepali filmmakers to earn a formal diploma in Film Direction and Production from the London Film School in 1971, establishing a new professional standard in the industry . Kharel began his career at Radio Nepal before transitioning into filmmaking, where he became known for directing genre‑defining works, including Nepal’s first major comedy‑satire, historical drama, historical biopic, and mythological film . He also served as the founding chairperson of the Film Development Board (2000–2002), shaping national film policy and institutional growth .