Min Bahadur Bham

Sashan Kandel is a Nepali singer, film director, and creative storyteller known for his work in Nepali music videos, songs, and cinema. Combining music and visual storytelling, he has established himself as a multi-talented artist in the Nepali entertainment industry.Creative JourneySashan began his career through music and music video direction, creating visual narratives for Nepali songs and collaborating with singers, musicians, and creative teams. His experience in music helped him develop a unique approach toward storytelling and filmmaking.Singer & Musical WorksAlongside direction, Sashan has continued his journey as a singer. His notable songs include:Bolidena Papi ManManabataManchhe Ko JaatOm Bhole ShankaraSatya SamjhinaHey KrishnaRaja Rani (From Hostel 3)Film DirectionAfter establishing himself as a music video director, Sashan stepped into feature film direction with Hostel 3 (2025), where he worked as director and story creator. The film marked an important milestone in his transition from music videos to mainstream Nepali cinema.

Janak Deep Parajuli is a veteran Nepali film director, media professional, lyricist, and festival director active since 1995, known for directing 100+ music videos, TV series, documentaries, corporate films, and feature films, and for his leadership roles in major Nepali and international film festivals.

Randhir Shrestha is a Nepali film director, writer, and visual storyteller known for crafting gritty, high‑intensity action narratives rooted in conflict, power, and human psychology. Active in contemporary Nepali cinema, he represents a new generation of filmmakers who blend stylized action with emotional depth and character‑driven storytelling.He is the writer and director of the upcoming action‑thriller Kumbh (2026), a film that explores dominance, violence, and survival through a dark, atmospheric world. Randhir’s direction is marked by strong visual composition, raw performances, and a commitment to building cinematic tension through realism and mood.

D.B Pariyar was a pioneering Nepali filmmaker best known for directing, writing, and shaping Satya Harischandra (1950), widely regarded as the first Nepali‑language feature film. Working from India during the early diaspora era of Nepali cinema, Pariyar helped establish the narrative, technical, and cultural foundations that later filmmakers would build upon. His contribution marked a defining moment in the transition from stage traditions to cinematic storytelling for Nepali audiences. Though historical documentation remains limited, Pariyar’s role as director, scriptwriter, and story creator positions him as one of the earliest architects of Nepali film history