Raj Bahadur Sane

Deependra Gauchan is a renowned Nepali film director, screenwriter, and producer who has made significant contributions to the film industries of both Nepal and Cambodia. Contributions in Nepal "Ujeli: A Child Bride in Nepal": This social tragic drama, directed by Deependra Gauchan and produced by UNICEF, highlights the issue of child marriage in Nepal. The film portrays the life of a 10-year-old girl forced into an arranged marriage, shedding light on the sharp distinctions between the roles of boys and girls in Nepal. Other Works: Deependra has also worked on various other projects, including "Sneh Svaikun 4" and "Viplas/Rachana," showcasing his versatility and dedication to the Nepali film industry. Contributions in Cambodia "Love 2 the Power of 4": Deependra co-directed this Khmer-language romantic comedy alongside Cambodian co-director and co-writer Sothea Ines. The film explores the relationships of four young, middle-class Cambodian couples as they navigate their professional and romantic aspirations. It addresses sensitive issues such as relationships between transgender people, trauma, suicide, and abortion, making it a significant contribution to Cambodian cinema. Deependra Gauchan's work in both Nepal and Cambodia has been instrumental in addressing social issues and promoting cultural narratives through film. His dedication to storytelling and his ability to tackle complex themes have made him a respected figure in the film industry.

Shanti Das (also spelled Shanti Das or Shanti Das) was an Indian film art director and set decorator who was active from the 1950s to the 1990s. He also worked as an art director on the Nepali film Maitighar (1966). A master craftsman of the golden age of Hindi cinema, he worked on over two hundred films and helped define the visual language of mainstream Bollywood. He died on August 14, 2011 in Mumbai, Maharashtra, India.

Santosh Sen is a leading Nepali film producer and director recognized for elevating mainstream Nepali cinema through high‑budget productions and strong visual storytelling. He rose to prominence with the blockbuster Prem Geet series and later expanded into direction with Prem Geet 3 and the large‑scale national drama Balidan. His work blends Nepali cultural identity with modern cinematic techniques, and his banner Aasusen Films has become synonymous with ambitious, globally‑positioned Nepali filmmaking.

Kishor Rana was a veteran Nepali film director active from 1994 until his passing in 2019, known for shaping the visual and narrative style of several influential Nepali films. Beginning his directorial career with Karja (1994), he went on to direct notable works such as Raanko (1995), Karodpati (1997), Sima Rekha (1997), Gham Chaya (1998), and Ek Number Ko Pakhe (1999). His film Raanko is recognized as Nepal’s first cinemascope movie, and Sima Rekha is regarded as a historically significant film in Nepali cinema. Rana passed away on August 21, 2019, at Nidan Hospital, Lalitpur, at the age of 64, following long‑term kidney complications. His disciplined direction, technical innovation, and contribution to Nepali storytelling remain respected within the industry.