Neer Shah

Ashok Sharma is a veteran figure in Nepali cinema, known for his versatile contributions as an actor, director, producer, and screenwriter. Active since the late 1980s, he became one of the most commercially successful filmmakers of the 1990s and 2000s, shaping mainstream Nepali entertainment with family‑drama and social‑comedy hits. Sharma directed and produced popular films such as Dui Thopa Aansu, Allare, Dal Bhaat Tarkari, Mitini, and Jai Bhole, earning a reputation for clean storytelling, strong ensemble casting, and audience‑friendly humor. His work continues to influence new‑generation filmmakers, making him a respected pillar of the Nepali film industry.  

Subash Chandra Dhungel is a renowned Nepali lyricist and songwriter. He has composed nearly 500 songs, with around 80 of them recorded. Some of his notable works include the songs "Chot K Ho Byatha K Ho" sung by Arun Thapa and "Sinki Achara" sung by Ram Thapa. Career Highlights Popular Songs: "Chot K Ho Byatha K Ho," "Sinki Achara," and many more. Collaborations: Worked with various artists, including Arun Thapa and Ram Thapa. Albums: Contributed to numerous albums and music projects. Social Media Presence YouTube: Subash Chandra Dhungel Official Subash Chandra Dhungel continues to inspire many with his lyrical talent and dedication to the Nepali music industry. 🎶

Sita Ram Kattel popularly known by his serial name Dhurmus is a Nepalese actor, Comedian, scriptwriter, director and social worker. He was one of the main characters of the Nepali TV series Meri Bassai.

Arjun Jung Shahi is a Nepali film actor known for his work in the early and mid‑modern era of Nepali cinema. Recognized for his calm screen presence and character‑driven performances, he appeared in several notable films across the 2040s and 2050s B.S. His acting career includes roles in Jivan Rekha, Bishwas (2043‑1‑22), Santaan (2044‑8‑14), Shanti‑Dip (2046‑9‑16), Bhumari (2046‑1‑29), Cheli‑Beti (2046‑12‑29), Ghar‑Aangan (2053‑11‑8), and Mohar. Through these films, he contributed to the evolving narrative style of Nepali cinema, portraying family‑centered, emotional, and socially grounded characters. His body of work reflects the transition period of Nepali filmmaking, where traditional storytelling began merging with contemporary themes.